How to Read European Armor

La Rocca, Donald J.
2017
160 pages
230 illustrations
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Many of us have long been captivated by images of knights in shining armor evoking the age of chivalry and the ideals of Camelot. In this richly illustrated volume, the beauty and complexity of the actual armor worn by European knights and soldiers comes brilliantly to the fore.

How to Read European Armor presents a compelling overview of armor in Europe from the Middle Ages through the seventeenth century, the period when armor as an art form achieved its highest levels of stylistic beauty and functional perfection. During that time, skilled armorers developed ingenious solutions for protecting the body with armor that was effective and often amazingly ornate.

This volume features historically important examples of armor such as a suit made in the royal workshops of Greenwich, England, almost certainly for King Henry VIII himself; a masterfully etched work created by a famed Nuremberg armorer for Emperor Ferdinand I; and sumptuous armor for the warhorse of an Italian nobleman. The engaging text extensively examines armor's complex parts and many decorative techniques, and sets the lively historical context for how European armor thrived in the field of combat, in tournaments, and on ceremonial occasions. A book for any reader drawn to the chivalric and courtly life of Europe, How to Read European Armor highlights the many innovations of armorers who created these legendary marvels of art and technology.

Met Art in Publication

Helmet of the Corinthian Type and Pair of Greaves, Bronze, Greek
early 5th century BCE
Shirt of Mail, Steel, copper alloy (latten), iron, brass, German, Nuremberg
15th century
Coat of Plates, or Brigandine, Steel, textile, Italian
ca. 1400
Saint Michael and the Dragon, Spanish (Valencian) Painter  Spanish, Tempera on wood, gold ground
Spanish (Valencian) Painter
ca. 1405
Right and Left Breastplates from a Brigandine, Steel, copper alloy, textile, Italian
ca. 1400–1425
Backplate from a Brigandine, Steel, copper alloy, Italian
ca. 1400–1450
Field Armor, Steel, leather, German, Nuremberg
ca. 1525; left arm defense, 19th century; rondels, 1923
Emperor Maximilian I on Horseback, Hans Burgkmair  German, Woodcut; seventh state of seven (Hollstein)
Hans Burgkmair
1518
Three Soldiers with Muskets, Hans Schäufelein  German, Woodcut
Hans Schäufelein
ca. 1511–15
Pikeman’s Armor, Steel, brass, British, probably Greenwich or London
ca. 1620–30
A soldier blowing on a match, from the Musketeers series, plate 40, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Jacques de Gheyn II  Netherlandish, Engraving; third state of five (New Hollstein)
Jacques de Gheyn II
Cuirassier Armor, Steel, gold, leather, textile, Italian, Milan or Brescia
ca. 1610–30
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat, Richard Holden  British, Steel, gold, leather, textile, British, London; buff coat, European
Richard Holden
ca. 1683 and later; buff coat, 17th–18th century
Armorer's Hammer, Iron, wood, German or French
18th–19th century
Armorer's Hammer, Iron, wood, German or French
18th–19th century
Armorer's Hammer, Iron, wood, German or French
18th–19th century
Armorer's Shaping Stake, Iron, German or French
18th–19th century
Armorer's Shaping Stake, Iron, German or French
18th–19th century
Pair of Tournament Pauldrons (Shoulder Defenses), Lorenz Helmschmid  German, Steel, copper alloy, German, Augsburg
Lorenz Helmschmid
ca. 1500
Armet, Missaglia workshop  Italian, Steel, Italian, Milan
Missaglia workshop
ca. 1475
Showing 20 of 147

Citation

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La Rocca, Donald J. 2017. How to Read European Armor. New York: The Metropolitan Museum of Art.