"Idiomatic and Mainstream: The Technical Vocabulary of a Late Roman Crossbow Fibula"
Pete Dandridge
Pete Dandridge came to the Museum in 1979 from the Cooperstown Graduate Program. Initially focusing on the Rockefeller Collection, he became the principal conservator of the ivories, enamels, and metalwork in the Department of Medieval Art and The Cloisters, where his primary interest has been to elucidate the technical history of said materials and the capabilities of the artists who manipulated them. He is coediting Medieval Copper, Bronze and Brass with Nicolas Thomas, and is participating in CAST:ING, an international initiative to create an online publication of best practices for documenting the technical history of bronze casting.
Dandridge, Pete, and Lisa Ellis. “Workshop Practices.” In Small Wonders: Late-Gothic Boxwood Micro-Carvings from the Low Countries, edited by Frits Scholten, 514–77. Amsterdam: Rijksmuseum Publications Department, 2016.
Dandridge, Pete. “Exquisite Objects, Prodigious Technique: Aquamanilia, Vessels of the Middle Ages.” In Lions, Dragons, and Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table, edited by Peter Barnet and Pete Dandridge, 34–56. New Haven: Yale University Press, 2006.
Dandridge, Pete. “A Study of the Gilding of Silver in Byzantium.” In Gilded Metals: History, Technology and Conservation, edited by Terry Drayman-Weisser, 123–43. London: Archetype Publications, 2000.
Met Art in Publication
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