Modern Times: British Prints, 1913–1939

Farrell, Jennifer, with contributions by Gillian Forrester and Rachel Mustalish
2021
200 pages
140 illustrations
View More Publication Info

The bold graphic images made by artists affiliated with Vorticism, British Futurism, and the Grosvenor School of Modern Art capture the optimism and anxiety of early twentieth-century Britain. This richly illustrated volume features rare British prints from the Leslie and Johanna Garfield collection dating between 1913 and 1939—a period marked by two world wars, a global pandemic, the Great Depression, and the rise of Fascism and Communism, but also new technologies, women’s suffrage, and a growing focus on public access to art. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. At the heart of the catalogue are the colorful linocuts made by artists associated with London’s celebrated Grosvenor School. The visually striking compositions by Sybil Andrews, Claude Flight, Cyril E. Power, and Lill Tschudi, among others, convey the vitality of quotidian life during the machine age.

Met Art in Publication

The New Cable, Sybil Andrews  Canadian, born England, Color linocut on Japanese paper
Sybil Andrews
1931
Troops Resting, Christopher Richard Wynne Nevinson  British, Drypoint
Christopher Richard Wynne Nevinson
1916
Blast, No. 2, Wyndham Lewis  British, born Canada, Woodcut and photographic illustrations
Wyndham Lewis
1915
Three Speeds, Claude Flight  British, Color linocut on Japanese paper
Claude Flight
ca. 1922
Newcastle, Edward Alexander Wadsworth  British, Woodcut on colored paper
Edward Alexander Wadsworth
1913
Returning to the Trenches, Christopher Richard Wynne Nevinson  British, Drypoint
Christopher Richard Wynne Nevinson
1916
Riponelli: A Village in Lemnos, Edward Alexander Wadsworth  British, Woodcut printed with light blue, gray, and black ink on gray paper
Edward Alexander Wadsworth
1917
Making Soldiers, Eric Henri Kennington  British, Lithograph, portfolio of 6 prints
Eric Henri Kennington
1917
The Road from Arras to Bapaume, Christopher Richard Wynne Nevinson  British, Lithograph
Christopher Richard Wynne Nevinson
1918
Nerves of an Army, Christopher Richard Wynne Nevinson  British, Drypoint
Christopher Richard Wynne Nevinson
1918
Ebb Tide on the Camber, Christopher Richard Wynne Nevinson  British, Drypoint
Christopher Richard Wynne Nevinson
1918
Promenade No.1, Paul Nash  British, Wood engraving on Japanese paper
Paul Nash
1920
The Art and Craft of Lino Cutting and Printing by Claude Flight, Claude Flight  British, Illustrated bound book
Claude Flight
1934
Storm, Sybil Andrews  Canadian, born England, Color linocut
Sybil Andrews
1935
Jazz Band, Lill Tschudi  Swiss, Linocut on Japanese paper
Lill Tschudi
1930
The Giant Racer, Cyril E. Power  British, Linocut on Japanese paper
Cyril E. Power
ca. 1930
Coffee Bar, Sybil Andrews  Canadian, born England, Color linocut
Sybil Andrews
1952
London Buses, Lill Tschudi  Swiss, Linocut on Japanese paper
Lill Tschudi
1949
Sticking Up Posters (preparatory drawing), Lill Tschudi  Swiss, Watercolor, pencil, and gouache
Lill Tschudi
1933
Sketchbook, with preparatory sketches for Workmen, Dancers, Slalom, Bells, People coming out of church, Life Class, Lill Tschudi  Swiss, Watercolor, graphite, and gouache
Lill Tschudi
1937
Showing 20 of 107

Citation

View Citations

Farrell, Jennifer, Rachel Mustalish, and Gillian Forrester. 2021. Modern Times: British Prints, 1913-1939 [Exhibition, Metropolitan Museum of Art, New York, 1 November 2021 - 9 January 2022]. New York New Haven (Conn.): The Metropolitan Museum of Art Yale University Press.