World War I and the Visual Arts Cover
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 75 | NUMBER 2

World War I and the Visual Arts

Farrell, Jennifer, with a contribution from Donald J. La Rocca
2017
48 pages
69 illustrations
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Published on the occasion of the centenary of World War I, this Bulletin explores the myriad and often contradictory ways in which artists responded to the world’s first modern war. Drawn primarily from The Met’s collection of works on paper and supplemented with loans from private collections, both presentations move chronologically from the initial mobilization in early August 1914 to the tumultuous decade that followed the armistice of November 1918. Ranging from expressions of bellicose enthusiasm to sentiments of regret, grief, and anger, the selected works—from prints, photographs, and drawings to propaganda posters, postcards, and commemorative medals—powerfully evoke the conflicting emotions of this complex period.

Met Art in Publication

Karte von Europa im jahre 1870 / Karte von Europa im jahre 1914, Paul Hadol  French, Commercial color lithograph
Paul Hadol
1914
Mobilization or La Marseillaise, Théophile-Alexandre Steinlen  French, born Switzerland, Etching
Théophile-Alexandre Steinlen
1915
Christian Host from Mystical Images of War, Natalia Goncharova  French, born Russia, Lithograph
Natalia Goncharova
1914
Self-Portrait as a Soldier, Charles Camoin  French, Charcoal and watercolor on paper
Charles Camoin
1915
Two Officers, from the portfolio ¦Faces¦, Max Beckmann  German, Drypoint
Max Beckmann
1915, published 1919
Military Symbols 2, Marsden Hartley  American, Charcoal on paper
Marsden Hartley
1914
In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couchée dans son lit, elle relisait la lettre de son artilleur au front), published in Les Mots en liberté futuristes, Filippo Tommaso Marinetti  Italian, Letterpress
Filippo Tommaso Marinetti
Created 1917, published 1919
Still Life: Bottle + Vase + Journal + Table, Gino Severini  Italian, Charcoal, gouache, and cut and pasted newspaper on paper
Gino Severini
ca. 1914–15
Train in the City, Gino Severini  Italian, Charcoal on paper
Gino Severini
1915
Blast, No. 2, Wyndham Lewis  British, born Canada, Woodcut and photographic illustrations
Wyndham Lewis
1915
The Exodus--1915 [L’exode – 1915], Théophile-Alexandre Steinlen  French, born Switzerland, Lithograph
Théophile-Alexandre Steinlen
1915
Bacchanale from War Series, George Bellows  American, Lithograph
George Bellows
1918
Flying over Rheims, Gino Severini  Italian, Charcoal on paper
Gino Severini
1915
Aerial View of Vaux, France, After the Bombing Attack, Edward J. Steichen  American, born Luxembourg, Gelatin silver print
Edward J. Steichen
1918
Wheels in Vault, John Singer Sargent  American, Watercolor, graphite, and wax on white wove paper, American
John Singer Sargent
1918
Twelve Etchings (Douze eaux-fortes), André Devambez  French, Set of 12 etchings with aquatint on vellum
André Devambez
1915
Ein kräftiger Zusammenstoss, Unknown, Gelatin silver print
Unknown
1914
Fingers of Fate - The Tightening Grip, Unknown, Gelatin silver print
Unknown
ca. 1916
Card No. 74, Belgian Carrier Pigeon, With Its Message in Code, from the World War I Scenes series (T121) issued by Sweet Caporal Cigarettes, American Tobacco Company, Photolithograph
American Tobacco Company
1914–15
After the Execution (Après l'exécution), cover of Le Mot, vol. 1, no. 5, January 9, 1915, Paul Iribe  French, Color woodcut and letterpress
Paul Iribe
1915
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Farrell, Jennifer, and Donald J. La Rocca. 2017. World War I and the Visual Arts. New York: Metropolitan Museum of Art.