Wild: Fashion Untamed

Bolton, Andrew, with contributions by Shannon Bell Price and Elyssa Da Cruz (2004)

This title is in print.

Publication Details

Description

Wild: Fashion Untamed examines the practical, spiritual, psychosexual, and socioeconomic underpinnings of fashion's fascination with animals and birds. Skins, furs, feathers, and animals prints have played a major role in the history of fashion. In this volume's five chapters, deer, tigers, zebras, leopards, spiders, serpents, crocodiles, and the plumage of a variety of birds are referenced in examples that vividly convey how artists and designers have found inspiration from sources in prehistory, ancient mythology, and native cultures and have quoted the physical and sexual characteristics of the animal kingdom to evoke ideals of femininity. Examples from the history of art portraying the fashions and symbolisms of their time are discussed in concert with creations by contemporary designers. A prehistoric cave painting, for example, finds a striking corollary in an image showing a 1999–2000 Jean Paul Gaultier ensemble. A Minoan Snake Goddess proves a suitable companion to John Galliano's reptilian-patterned leather gown from his 2002–2003 Dior collection. A vintage photograph of Sitting Bull wearing the Native American feathered war bonnet appears alongside a similar-looking headdress of 1987 by Bob Mackie.

The uses of fur to announce not only the wearer's wealth and power but also that of a nation are revealed in an early eighteenth-century portrait of Louis XIV in an ermine robe. Sean "P. Diddy" Combs and supermodel Kate Moss wear sumptuous furs in a striking present-day manifestation of such economic exhibitionism. The animal rights activists and animal welfare organizations that have emerged since the 1970s are discussed, accompanied by a potent example of a Lynx advertising campaign depicting a woman in a fur hat with a skinned dog around her neck.

Thierry Mugler's black leather and insect-like silhouettes convey a deadly fetishized femininity, while Dolce & Gabbana's leopard prints display a softer femininity reminiscent of the 1950s Hollywood siren, as exemplified by a publicity still for MGM Studios of Ava Gardner in a leopard patterned bathing costume. A striking image of a group of women wearing black-and-white zebra patterns in a room filled with tellingly matching accoutrements represents the signature animal prints of Roberto Cavalli, who has widely celebrated the power and beauty of the wild kingdom.

WILD: Fashion Untamed continues the ongoing objective of the Metropolitan Museum's Costume Institute to document and interpret the diverse aspects of historical and contemporary fashion. This generously illustrated volume effectively highlights humanity's ongoing obsession with animals in clothing from prehistoric times to the present. Faunal apparel has always represented and will continue to represent one of our more primal instincts, even as it also addresses issues of changing social attitudes about the relationships of human to animal and human to human. In the Introduction to this fascinating publication, Andrew Bolton, Associate Curator, The Costume Institute, writes: "Straddling the ideologies of nature and artifice, designers have sought to shape ideals of femininity that evoke and invoke the physical and symbolic characteristics of animals, ideals that have resonance in both the past and the present."

Table of contents

Sponsor's Statement

Director's Foreword
Philippe de Montebello

Introduction
Andrew Bolton

Call of the Wild
Shannon Bell-Price

The Lion's Share
Andrew Bolton

Birds of Paradise
Andrew Bolton

Tigress
Shannon Bell-Price and Elyssa Da Cruz

Man-Eater
Elyssa Da Cruz

Acknowledgments

Selected Bibliography

About the authors

Andrew Bolton is Associate Curator of the Costume Institute of The Metropolitan Museum of Art.

Press reviews

Harper's Bazaar

"... lush photographs ..."

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Heilbrunn Timeline of Art History (4)

Timelines (4)

France, 1900 A.D.–present

Great Britain and Ireland, 1900 A.D.–present

Italian Peninsula, 1900 A.D.–present

The United States and Canada, 1900 A.D.–present

Exhibition

WILD: Fashion Untamed

WILD: Fashion Untamed presents a historical and crosscultural examination of man's obsession with animalism as expressed through clothing. With more than one hundred costumes and accessories on display, the exhibition focuses on the practical, spiritual, psychosexual, and socioeconomic underpinnings of the decorative possibilities of birds and beasts. Whether in the form of pelts, plumes, prints, or animal symbolism, faunal apparel has represented one of man's more primal instincts.

Organized thematically, the exhibition examines how the physical and sexual characteristics of animals have come to define ideals of femininity. Evoking the power and strength of wild beasts, the notion of "woman as huntress" is explored in the work of fashion designers such as Alexander McQueen and Yohji Yamamoto. Drawing on nineteenth-century representations of "la belle sauvage," these designers have used animal skins, crudely sewn together and molded to the body like a second skin, to construct images of twenty-first-century Amazons invested with a potent feminism...

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