Atget’s many photographs of mannequins in shop windows appealed greatly to the Parisian avant-garde, who found in the aging artist an unwitting but kindred spirit. In these pictures, the Surrealists focused on the lamination of what was inside and outside and on the lovely dissolve between fact and imagination.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Credit Line:Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987
Object Number:1987.1100.113
Inscription: Stamped in ink on print, verso LC: "E. ATGET // Rue Campagne - Première [illegible]"; inscribed on print, verso UC: "Avenue des Gobelins"; inscribed on print, verso LR: "17 [illegible]"; inscribed on print, verso LC: "6? [illegible] 10 - 26. M.26."; stamped on print, verso UC: "A328"; inscribed on print, verso LC [sideways]: "155 mm [with extensive layout and crop marks and arrows overall]";
[Julien Levy]; Frank Kolodny; [Edwynn Houk]; John C. Waddell, October 19, 1984
The Metropolitan Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," September 23–December 31, 1989.
San Francisco Museum of Modern Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," February 28–April 22, 1990.
Los Angeles County Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," May 10–July 15, 1990.
High Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," February 5–April 28, 1991.
Museum of Fine Arts, Boston. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," June 8–August 4, 1991.
IVAM, Centre Julio Gonzalez, Valencia. "The New Vision, IVAM, Centre Julio Gonzalez, Valencia," January 20, 1995–March 26, 1995.
The Metropolitan Museum of Art. "On Photography: A Tribute to Susan Sontag," June 6–September 4, 2006.
The Metropolitan Museum of Art. "Framing a Century: Master Photographers, 1840–1940," June 3–September 1, 2008.
Lille Métropole Musée d'Art Moderne d'Art Contemporain et d'Art Brut. "The Magical City," September 29, 2012–January 13, 2013.
The Metropolitan Museum of Art. "Paris as Muse: Photography, 1840s – 1930s," January 27–May 4, 2014.
The Metropolitan Museum of Art. "Photography between the Wars: Selections from the Ford Motor Company Collection." The Metropolitan Museum of Art Bulletin (Spring 1988). p. 38.
Hambourg, Maria Morris. The New Vision: Photography between the World Wars, Ford Motor Company Collection at the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1989. no. 31.
The Met's Department of Photographs houses a collection of more than 75,000 works spanning the history of photography from its invention in the 1830s to the present.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.