Crucifixion (Corpus Hypercubus)

Salvador Dalí Spanish

On view at The Met Fifth Avenue in Gallery 624

Dalí utilized his theory of "nuclear mysticism," a fusion of Catholicism, mathematics, and science, to create this unusual interpretation of Christ’s crucifixion. Levitating before a hypercube—a geometric, multidimensional form—Christ’s body is healthy, athletic, and bears no signs of torture; the crown of thorns and nails are missing. The artist’s wife, Gala, poses as a devotional figure, witnessing Christ’s spiritual triumph over corporeal harm. Several dreamlike elements from Dali’s earlier Surrealist work feature in this painting: a levitating figure, vast barren landscape, and chessboard.

Crucifixion (Corpus Hypercubus), Salvador Dalí (Spanish, Figueres 1904–1989 Figueres), Oil on canvas

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