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Bacchanal: Ein Faun wird von Kindern geneckt

and Pietro Bernini Italian
ca. 1616–17
On view at The Met Fifth Avenue in Gallery 534
Gian Lorenzo Bernini war ein Wunderkind mit beeindruckenden Fertigkeiten und ging bei seinem vielseitigen Vater Pietro in die Lehre. Während dieser Zeit arbeiteten sie gemeinsam an einer Vielzahl an Marmorskulpturen, die den Ehrgeiz und das Können des Sohnes zeigen. Die Museumsgruppe ist die ambitionierteste von ihnen und steht exemplarisch für das Streben des jungen Künstlers nach Gruppen ineinander verwobener Figuren und differenzierten Texturen: Man betrachte die Muskelspannung des Fauns, seinen zahnlosen Mund, die molligen Kinder, die Baumrinde und die saftigen Früchte. Inspiriert von antiken Sarkophagen zeigt dieses Bacchanal die Fusion des Klassizismus' und Naturalismus', die typisch für die römische Kunst an der Schwelle zum Barock sind.

Artwork Details

Object Information
  • Titel: Bacchanal: Ein Faun wird von Kindern geneckt
  • Künstler: Gian Lorenzo Bernini, Italiener, 1598–1680 und Pietro Bernini, Italiener, 1562–1629
  • Datum: ca. 1616
  • Medium: Marmor
  • Dimensionen: H: 132,4 cm
  • Anerkennung: Neuerwerb, Schenkung von der Annenberg Fund Inc., Fletcher, Rogers und Louis V. Bell Funds und Schenkung von J. Pierpont Morgan, per Tausch, 1976
  • Akzession Nr.: 1976.92
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Nur verfügbar in: English
Cover Image for 80. Bacchanal: A Faun Teased by Children

80. Bacchanal: A Faun Teased by Children

Body Language

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Jackie Terrassa: This was a collaboration between two artists working together: a younger Bernini learning from his father, who was also a master. The other thing that's amazing about this sculpture is the artists have punctured the marble to create space in between the forms. How does an artist take a piece of stone and make it feel like it's flying, make it feel like the figures are twisting and throwing each other around? Every single detail of the sculpture has some different treatment in terms of the texture of the marble and how that is finished.

Narrator: You can see this at the back of the sculpture. Look at the baby falling off the panther, especially his arm.

Luke Syson: The texture is actually like that of the tree. It looks almost as if his arm is a little branch growing off it. The sculptors are really thinking about how to give the sense that the act of creating is happening before your eyes.

Narrator: Gian Lorenzo Bernini was the most prominent sculptor of the seventeenth-century Italian Baroque.

Luke Syson: The Baroque artists were very interested in expressive movement, and the way in which transitory emotions can be expressed permanently through movements of the body and so on.

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