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Meditation über die Passion

ca. 1490
On view at The Met Fifth Avenue in Gallery 606
Neben seinen berühmten erzählerischen Werken in Venedig malte Carpaccio auch eine Reihe von Andachtsbildern mit kunstvollen Symbolen. Dieses gehört zu den denkwürdigsten davon. Rechts sitzt Hiob auf einem Klotz, auf dem auf Hebräisch geschrieben steht, „ich weiß, dass mein Erlöser lebt." Der heilige Hieronymus, links als Eremit dargestellt, interpretierte diese biblische Passage als Verweis auf die Wiederauferstehung Christi, dessen toter Körper auf einem zerfallenen Thron mit der Dornenkrone zu dessen Fuße dargestellt ist. Die Landschaft, links karg und rechts idyllisch, spielt ebenfalls auf die gegensätzlichen Themen von Leben und Tod an.

Artwork Details

Object Information
  • Titel: Meditation über die Passion
  • Künstler: Vittore Carpaccio, Italien, ca. 1455–1523/26
  • Datum: ca. 1480–1510
  • Medium: Öl und Tempera auf Holz
  • Dimensionen: 70,5 x 86,7 cm
  • Anerkennung: John Stewart Kennedy Fund, 1911
  • Akzession Nr.: 11.118
  • Curatorial Department: European Paintings

More Artwork

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Saint Jerome (recto); Soldier with a Spear (verso), Vittore Carpaccio Italian, Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso)
Saint Jerome (recto); Soldier with a Spear (verso)
Vittore Carpaccio
1460–1525
Studies of a Seated Youth in Armor, Vittore Carpaccio Italian, Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper
Studies of a Seated Youth in Armor
Vittore Carpaccio
ca. 1505
Saint Martin and the Beggar, Vittore Carpaccio Italian, Pen and gray ink, brush and gray wash, over faint traces of black chalk
Saint Martin and the Beggar
Vittore Carpaccio
1493–1500
Standing Female Figure (St. Anne; Cartoon for a Painting), Vittore Carpaccio Italian, Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio
ca. 1502–4
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini) Italian, Tempera and oil on wood
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini)
1467

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