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Jungfrau und Kind auf einem Thron

ca. 1175–1200
On view at The Met Fifth Avenue in Gallery 304
Diese Komposition ist mehr als nur ein Bildnis von Mutter und Kind. Mit Jesus fest im Schoß gehalten, betont es die Rolle des Christuskindes als Verkörperung göttlicher Weisheit. Um die Botschaft noch zu verstärken, dürfte Jesus ein Buch gehalten haben. Die Skulptur weist eine strenge Schönheit auf, wie z. B. im rhythmischen Muster der Jungfrauenrobe, dem feinen Schleier um ihr Gesicht und den überdauernden Farbspuren, vor allem auf dem grünen Kissen. Solche Statuen wurden als Devotionalien verwendet und bei Kirchenprozessionen getragen. Diese fungierte wahrscheinlich als Behältnis für heilige Reliquien. Es besitzt zwei Hohlräume – einen hinter der Schulter der Jungfrau, eine in ihrem Brustkorb.

Artwork Details

Object Information
  • Titel: Jungfrau und Kind auf einem Thron
  • Datum: ca. 1150–1200
  • Geografie: Auvergne
  • Kultur: Französisch
  • Medium: Walnuss, Farbe, Gips, Leinen
  • Dimensionen: 79,5 x 31,7 x 29,2 cm
  • Anerkennung: Schenkung von J. Pierpont Morgan, 1916
  • Akzession Nr.: 16.32.194a, b
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Nur verfügbar in: English
Cover Image for 82. Virgin and Child in Majesty, Part 1

82. Virgin and Child in Majesty, Part 1

Gallery 304

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ED VESSEL: The brain is intimately attuned to the minute differences in shape and arrangement of the hands. For example, understanding the particular meaning conveyed by particular hand grasps.

NARRATOR: Due to the condition of this sculpture, some important hand gestures have been lost.

GRIFFITH MANN: You see the hands of the Virgin Mary reaching around to hold the Christ Child, but Christ's arms and hands are missing. His right hand, which is extended towards us, would have been making a gesture of blessing, with two fingers raised up. And then his left hand probably would have been holding a book representing the Word made Flesh in the figure of Christ.

MELANIE HOLCOMB: The hand is a powerful symbol for a Medieval viewer. Many, many images from the Middle Ages will sometimes only represent God by a hand, because the hand suggests that we can't understand the whole body, the whole outline of God.

NARRATOR: Learn about this sculpture’s context. Press play.

    Listen to more about this artwork

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Enthroned Virgin and Child
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early 9th century
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late 12th century
Statuette of an ancestral king, Wood, formerly clad with lead sheet
Statuette of an ancestral king
390–246 BCE

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