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The Metropolitan Museum Journal, v. 4 (1971)

THE METROPOLITAN MUSEUM OF ART JOURNAL | VOLUME 4

"Some Sixteenth-Century Flemish Tapestries Related to Raphael's Workshop"

Standen, Edith A.

1971

13 pages

This title is out of print.

Download PDF (7.9 MB)

About the authors

Edith Appleton Standen

Met Art in Publication

Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels — Adoration of the Kings
Designer Design attributed to Bernard van Orley
Elements of the central group are derived from Tommaso Vincidor (Tommaso di Andrea)
Possibly woven in the workshop directed by Pieter van Aelst the Younger
1525–1535

Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570

Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse
Designer Design attributed to Giovanni Battista Lodi da Cremona
Designer Border design attributed to Giovanni Francesco Penni
Workshop director Weaving workshop directed by Willem de Pannemaker
designed ca. 1540, woven ca. 1570

Two women standing back to back supporting a censer adorned with salamanders and fleur-de-lis

Marcantonio Raimondi

After Raphael (Raffaello Sanzio or Santi)

ca. 1515–20

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