Designer Herman RosseAmerican, born The Netherlands
Not on view
This covered urn forms part of an all-metal dining room Rosse designed as an entry for a competition sponsored by the International Nickel and Copper Company, which underwrote its production. It was displayed at the 1928 inaugural exhibition in New York of the American Designers' Gallery, a short-lived but important association of the best-known designers of the day, of which Rosse was the founding president. The urn is made from Monel metal, a corrosion resistant alloy of nickel and copper.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
the designer, New City, N. Y. (1928–d. 1965); his widow, S. Helena Rosse, New City, N. Y. (1965–d. 1982); S. Helena Rosse Trust (1982–2000; gift to MMA)
American Designers' Gallery Inc., New York. November 9, 1928–March 1, 1929, no. 11.
New York. The Metropolitan Museum of Art. "American Modern, 1925–1940: Design for a New Age," May 16, 2000–January 7, extended to February 4, 2001, unnumbered cat. (p. 86; Promised Gift of S. Helena Ross Trust).
Newport Beach, Calif. Orange County Museum of Art. "American Modern, 1925–1940: Design for a New Age," May 25–August 19, 2001, unnumbered cat.
Flint, Mich. Flint Institute of Arts. "American Modern, 1925–1940: Design for a New Age," September 14–December 16, 2001, unnumbered cat.
Philadelphia. Pennsylvania Academy of the Fine Arts. "American Modern, 1925–1940: Design for a New Age," January 11–April 7, 2002, unnumbered cat.
Charlotte. Mint Museum of Craft and Design. "American Modern, 1925–1940: Design for a New Age," May 3–July 28, 2002, unnumbered cat.
Tulsa. Philbrook Museum of Art. "American Modern, 1925–1940: Design for a New Age," August 23–November 17, 2002, unnumbered cat.
New York. The Metropolitan Museum of Art. "Classic/Fantastic: Selections from the Modern Design Collection," December 21, 2007–April 5, 2009, no catalogue.
Jared Goss in "Recent Acquisitions. A Selection: 1999–2000." Metropolitan Museum of Art Bulletin 58 (Fall 2000), p. 66, ill. (color).
Marilyn F. Friedman. "Defining Modernism at the American Designers' Gallery, New York." Studies in the Decorative Arts 14 (Spring–Summer 2007), pp. 83, 85–86, 95, 114 nn. 3, 4, fig. 3 (color).
Ana M. Lopez. "Monel Metal: Modern as Tomorrow." Metalsmith 41, no. 3 (2021), p. 34, ill. p. 32 (color).
Herman Rosse (American (born The Netherlands), The Hague 1887–1965 Nyack, New York)
1928
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.
