THE METROPOLITAN MUSEUM OF ART JOURNAL | VOLUME 52

"The Roman Maniera: Newly Discovered Drawings"

Rinaldi, Furio

2017

13 pages

12 illustrations

AAM Publications Design Competition First Prize, Magazines/Scholarly Journals (2018)

This title is in print.

Download PDF (1.06 MB)

Description

Table of contents

About the authors

The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum's collection. Highlights of volume 52 include a study of the intertwined relationship between two late masterpieces by Andrea del Sarto, new attributions for seven Roman drawings from the 16th and 17th centuries, and a reevaluation of Horace Pippin's painting, The Lady of the Lake from the late 1930s.

Met Art in Publication

Study for the Figure of Saint Peter, Daniele da Volterra (Daniele Ricciarelli) Italian, Black chalk — Study for the Figure of Saint Peter
Daniele da Volterra (Daniele Ricciarelli)
ca. 1545

The Last Supper, Anonymous, Italian, mid-16th century Italian, Brush and brown wash, over black chalk — The Last Supper
Anonymous, Italian, mid-16th century
Girolamo Romanino
1550–80

Study for the Ascension of the Virgin, Marco Pino Italian, Pen and brown ink, brush and brown wash, squared in black chalk — Study for the Ascension of the Virgin
Marco Pino
16th century

Mary Magdalen Annointing the Feet of Christ, Raffaellino da Reggio (Raffaello Motta) or copy after Italian, Pen and brown ink, brush and brown wash over black chalk on light brown paper — Mary Magdalen Annointing the Feet of Christ
Raffaellino da Reggio (Raffaello Motta)
1570–1573

Project for a Rectangular Ceiling with Papal Coat of Arms (recto); Design for a Courtyard (verso), Giovanni Alberti Italian, Pen and brown ink, brush with brown and gray wash, ruling and compass work, over traces of black chalk — Project for a Rectangular Ceiling with Papal Coat of Arms (recto); Design for a Courtyard (verso)
Giovanni Alberti
1558–1601

Vestal Virgin, Giovanni Guerra Italian, Pen and brown ink, brush and brown wash, on white paper — Vestal Virgin
Giovanni Guerra
16th century

A Cartouche and Two Shields Surrounded by Allegorical Figures., Andrea Lilli (Lilio) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over red and black chalk — A Cartouche and Two Shields Surrounded by Allegorical Figures.
Andrea Lilli (Lilio)
1570–1631

Teatro delle Nobili et Virtuose Donne..., title page (recto), Isabella Catanea Parasole Italian, Woodcut, engraving — Teatro delle Nobili et Virtuose Donne..., title page (recto)
Isabella Catanea Parasole
Mauritio Bona
1616

Citation

Chicago

MLA

APA

———. 2017c. Metropolitan Museum Journal Volume 52, 2017. Chicago: University of Chicago Press.

"The Roman Maniera: Newly Discovered Drawings"

Met Art in Publication

You May Also Like

"Andrea del Sarto’s Borgherini Holy Family and Charity: Two Intertwined Late Works"

"The Madonna and Child with Saints Francis and Dominic, and Angels by Giulio Cesare Procaccini: Masterpiece from the Archinto Collection"

"Benjamin Franklin, Ambassador to France: Portraits by Joseph Siffred Duplessis"

"An Examination of Paolo Veronese’s Portrait of Alessandro Vittoria"

"The Sacred and the Modern: A Multidisciplinary Study of the History, Conservation, and Science of the Madina Sitārah"

Citation

"The Roman Maniera: Newly Discovered Drawings"

Met Art in Publication

You May Also Like

Related Content

Citation