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Explore Cubism and the Trompe l'Oeil Tradition

Join curators Emily Braun and Elizabeth Cowling for a tour of Cubism and the Trompe l’Oeil Tradition, which offers a radically new view of Cubism by demonstrating its engagement with the age-old tradition of trompe l’oeil painting. A self-referential art concerned with the nature of representation, trompe l’oeil (“deceive the eye”) beguiles the viewer with perceptual and psychological games that complicate definitions of truth and fiction. Along with Cubist paintings, sculptures, and collages, the exhibition presents canonical examples of European and American trompe l’oeil painting from the seventeenth through the nineteenth centuries.


Contributors

Emily Braun
Curator, The Leonard A. Lauder Collection and Distinguished Professor, Hunter College and the Graduate Center, CUNY
Elizabeth Cowling

A quiet modern gallery displays three abstract paintings: bold black-and-blue forms, a dense monochrome canvas, and dramatic red-orange shapes.
Video
Join David Breslin, Leonard A. Lauder Curator in Charge and Brinda Kumar, Associate Curator, Department of Modern and Contemporary Art to explore Krasner and Pollock: Past Continuous.
October 16
An ornate blue mythical creature with sweeping wings, curled tail, and patterned feathers fills a worn gold manuscript page beside dark decorative letters.
This small plaque of Mark the Evangelist, represented by a lion holding a book between its wings, stands for many stories that illustrate facets of medieval Christian faith.
Guadalupe Nettel
October 8
Several people install a monumental black-and-beige abstract splatter painting in a gallery, working together with care and concentration.
Video
Take a look behind the scenes as Met handlers install Jackson Pollock’s 17-foot Autumn Rhythm: Number 30, 1950.
October 2
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