Le Temple de Dendur sera fermé du dimanche 26 avril au vendredi 8 mai. Le Met Fifth Avenue sera fermé le lundi 4 mai.

Planifier votre visite

Vishnou trônant

second half of the 8th–early 9th century
On view at The Met Fifth Avenue in Gallery 239
Cette sculpture monumentale (la plus grande de la collection d’Asie du Sud du Musée) est un rare exemple de l’art sous la dynastie des Pandya qui, avec celle des Pallava, inaugura la première grande époque de construction de temples dans le sud du pays. Vishnou siège sur un trône aux attributs léonins, dans la pose du délassement royal appelée lalitasana. Pour les hindous, sa fonction est de rétablir l’ordre du monde et de combattre les démons qui menacent la stabilité universelle. Il y avait à l’origine une conque (pour appeler à la guerre) dans la main gauche supérieure et un disque de guerre dans la main droite supérieure, tandis que la main droite inférieure était levée, dans le geste protecteur et rassurant de l’abhaya-mudrā.

Artwork Details

Object Information
  • Titre: Vishnou trônant
  • Période: Dynastie des Pandya
  • Date: Seconde moitié du VIIIe siècle–début du IXe siècle
  • Aire géographique: Inde, Tamil Nadu
  • Technique: Granit
  • Dimensions: H. 2,97 m
  • Crédits: Achat, don de The Charles Engelhard Foundation, à la mémoire de Charles Engelhard, 1984
  • Accession Number: 1984.296
  • Curatorial Department: Asian Art

Audio

Uniquement disponible en: English
Cover Image for 7950. Seated Four-Armed Vishnu, Part 1

7950. Seated Four-Armed Vishnu, Part 1

0:00
0:00

This colossal seated figure of the god Vishnu towers more than nine feet tall. It is surely one of the largest Indian sculptures outside of India. Vishnu wears a cylindrical crown, or miter. Royal lions support the base of his throne. His left foot rests on a double lotus blossom. His missing arms and hands would have held the traditional martial attributes of Vishnu: a mace, conch shell, and war discus, or chakra.

The sculptures in earlier galleries all came from north India. This image is from the southern tip of India: an area never influenced by Gupta-period traditions. The relaxed pose and broad, plain surfaces are typical of the monumental Hindu sculptures carved from the sixth to the tenth centuries, under the Pandya dynasty. Many Pandya figures were carved directly into cliffs and other natural rock formations. Nearby you’ll see another Pandya-dynasty sculpture from the same period. Most Hindu gods rode upon animal vehicles. This seated figure had the wings of a bird—the tips have been broken off. This is Garuda: a mythological creature, half-man, half-bird, who transported Vishnu through the air.

If you haven't already, and you'd like to learn more about Hinduism, press play.

    Listen to more about this artwork

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback