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Méditation sur la Passion

ca. 1490
On view at The Met Fifth Avenue in Gallery 606
Outre les célèbres cycles narratifs de Venise, Carpaccio peignit un grand nombre de tableaux votifs, riches en symboles sophistiqués. Celui-ci est l’un des plus mémorables. À droite, Job est assis sur un bloc de pierre qui porte une inscription en hébreu signifiant « Je sais, moi, que mon Sauveur est vivant. » Saint Jérôme, représenté en ermite sur la gauche, avait interprété ce passage de la Bible comme une allusion à la Résurrection du Christ, dont le corps figure sur un trône en ruine, la couronne d’épines à ses pieds. Le paysage désolé sur la gauche et son pendant bucolique à droite représentent aussi la mort et la vie.

Artwork Details

Object Information
  • Titre: Méditation sur la Passion
  • Artiste: Vittore Carpaccio, Italien, v. 1455–1523/1526
  • Date: v. 1480–1510
  • Technique: Huile et détrempe sur bois
  • Dimensions: 70,5 x 86,7 cm
  • Crédits: Fonds John Stewart Kennedy, 1911
  • Accession Number: 11.118
  • Curatorial Department: European Paintings

More Artwork

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Saint Jerome (recto); Soldier with a Spear (verso), Vittore Carpaccio Italian, Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso)
Saint Jerome (recto); Soldier with a Spear (verso)
Vittore Carpaccio
1460–1525
Studies of a Seated Youth in Armor, Vittore Carpaccio Italian, Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper
Studies of a Seated Youth in Armor
Vittore Carpaccio
ca. 1505
Saint Martin and the Beggar, Vittore Carpaccio Italian, Pen and gray ink, brush and gray wash, over faint traces of black chalk
Saint Martin and the Beggar
Vittore Carpaccio
1493–1500
Standing Female Figure (St. Anne; Cartoon for a Painting), Vittore Carpaccio Italian, Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio
ca. 1502–4
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini) Italian, Tempera and oil on wood
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini)
1467

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