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"French Prints in the Era of Impressionism and Symbolism": The Metropolitan Museum of Art Bulletin, v. 46, no. 1 (Summer, 1988)

THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 46 | NUMBER 1

"French Prints in the Era of Impressionism and Symbolism"

Ives, Colta Feller

1988

56 pages

8.5 x 11 in

This title is out of print.

Download PDF (30.29 MB)

About the authors

Colta Feller Ives

Met Art in Publication

Olympia (published plate), Edouard Manet French, Etching; second state of six — Olympia (published plate)
Edouard Manet
1867

Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

The Races, Edouard Manet French, Lithograph on chine collé; third state of three — The Races
Edouard Manet
1865–72, published 1884

Berthe Morisot (in Black), Edouard Manet French, Lithograph on chine collé; second state of two — Berthe Morisot (in Black)
Multiple artists/makers
1872–74, published 1884

Marie Dihau (1843–1935), Edgar Degas French, Oil on canvas — Marie Dihau (1843–1935)
Edgar Degas
1867–68

The Jet Earring, Edgar Degas French, Monotype printed in black ink on white wove paper — The Jet Earring
Edgar Degas
1876–77

Mademoiselle Bécat at the Café des Ambassadeurs, Paris, Edgar Degas French, Lithograph; only state — Mademoiselle Bécat at the Café des Ambassadeurs, Paris
Edgar Degas
Emélie Bécat
1877–78

The Fireside, Edgar Degas French, Monotype in black ink on white heavy laid paper — The Fireside
Edgar Degas
ca. 1876–77

After the Bath III, Edgar Degas French, Lithograph (transfer and crayon); first state of two — After the Bath III
Edgar Degas
1891–92

After the Bath III, Edgar Degas French, Lithograph, transfer, and crayon; second state of two — After the Bath III
Edgar Degas
1891–92

After the Bath (large version), Edgar Degas French, Lithograph, transfer, and crayon on laid paper; fifth (final) state — After the Bath (large version)
Edgar Degas
1891–92

The Woods at L'Hermitage, Pontoise, Camille Pissarro French, Softground etching, aquatint, and drypoint on china paper; sixth state (per Shapiro) — The Woods at L'Hermitage, Pontoise
Camille Pissarro
1879

Armor, Odilon Redon French, Charcoal and conté crayon — Armor
Odilon Redon
1891

Day (Le Jour), from the series, Dreams (Songes), plate VI, Odilon Redon French, Lithograph on chine collé; only state — Day (Le Jour), from the series, Dreams (Songes), plate VI
Odilon Redon
1891

Auricular Cell (Cellule Auriculaire), from "L'Estampe Originale", Odilon Redon French, Lithograph on chine collé — Auricular Cell (Cellule Auriculaire), from "L'Estampe Originale"
Multiple artists/makers
1893–94

The Celestial Art, Odilon Redon French, Lithograph — The Celestial Art
Odilon Redon
1894

The Joys of Brittany, from the "Volpini Suite: Dessins lithographiques", Paul Gauguin French, Zincograph on chrome yellow wove paper; first edition — The Joys of Brittany, from the "Volpini Suite: Dessins lithographiques"
Paul Gauguin
1889

Ia Orana Maria (Hail Mary), Paul Gauguin French, Oil on canvas — Ia Orana Maria (Hail Mary)
Paul Gauguin
1891

Delightful Land, Paul Gauguin French, Woodcut printed in color on wove paper, lined in silk — Delightful Land
Paul Gauguin
1893–94

Spirit of the Dead Watching (Manao Tupapau), from "L'Estampe Originale", Paul Gauguin French, Zincograph — Spirit of the Dead Watching (Manao Tupapau), from "L'Estampe Originale"
Paul Gauguin
André Marty
April–June 1894

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