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ご来館の計画

ランズダウン・ハウスの食堂

1766–69
On view at The Met Fifth Avenue in Gallery 515
ロンドンのバークレー・スクエアにあるランズ ダウンハウスとその内装は、ロバート・アダムにより設計されました。この大食堂は、イギリスの建築家による全盛期の新古典主義様式を反映しています。柱の間仕切りにより二部屋に分け、木造彫刻を特徴とするこの部屋には、古典時代の彫刻を展示するための9つの壁のくぼみがあります(現在展示されている彫刻は複製)。この部屋の最大の見所は、さまざまな古典のモチーフを表した石膏の装飾です。トーマス・チッペンデールによるマホガニー製の椅子は、この部屋に元々あったものではありませんが、1769年に彼がランズダウン・ハウスの所有者に納品したものと同型のものです。

Artwork Details

Object Information
  • 題: ランズダウン・ハウスの食堂
  • アーティスト: ロバート・アダム考案 イギリス、1728–1792年
  • 月日: 1766–69年
  • 地理: ロンドン
  • 寸法: 5.46 x 7.47 x 14.33 m
  • 提供者: ロジャーズ基金、1931年
  • 受け入れ番号: 32.12
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

以下でのみ利用可能: English
Cover Image for 414. Dining Room from Lansdowne House

414. Dining Room from Lansdowne House

Gallery 515

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NARRATOR: Welcome to the Dining Room from Lansdowne House, reassembled here from its original location in London where it was conceived as a “country house in a town.” In designing this room, architect Robert Adam had an agenda: to create a beautiful room, yes, but also to inspire respect for the high ideals of classical civilizations in Greece and Rome. On the left side of the room are four neo-classical ionic columns. And lining the walls are sculptures inspired by ancient mythical figures. Two are the work of Italian sculptor Antonio Canova (popular among British aristocrats): one, the goddess of love and victory, Venus, and the other of a reclining Naiad, a water spirit.

A born micromanager, Adam hand-selected craftsmen for the project. There were plasterers for the ceilings, carvers for the doors, and sculptors for the marble mantlepiece. He also worked closely with the firm of famed cabinet-maker Thomas Chippendale to produce chairs, two of which you see here. But why was it so important for the owner’s dining room to reflect images from the history of democracy? Because this was the dining room of the Earl of Shelburne, a prime minister, with strong views on the topic.

SHELBURNE: I have exerted every effort to preserve America to this country. It is better that a part should suffer, rather than the whole empire perish.

NARRATOR: Shelburne was a vocal advocate for American Independence, the one to help negotiate an end to the very war that created the United States of America. This room, constructed steps away from Parliament, was a hive of consequential debate by exalted and controversial thinkers, including the novelist Charles Dickens, poet Thomas Moore, and the radical political philosopher Jeremy Bentham.

If Shelburne wanted to honor liberal and democratic values in this space, the catalyst might lie in the Earl’s foreign adventures: what was known as “The Grand Tour.” For Britain’s elite, studying the art and architecture of southern Europe was considered a social responsibility, a life-changing education. Visiting Rome in particular: there were newly-excavated artifacts from the Roman empire on view that offered a deeper understanding of the classical world and it’s democratic philosophy. Travelers returned home with inspiration—and sometimes, actual artifacts!—whether for government, or for how to design and decorate their dining room.

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