Letter of Invitation

This letter serves as an invitation to five individuals—Sōrin, Sōkei and his son, and Sōshin and his son—whose identities remain uncertain, though plausible conjectures can be made. Hon’ami Kōetsu writes that, despite the distractions of the festival (most likely the Gion Festival), he would value their company, as the lotuses are in splendid bloom. The pond Kōetsu mentions in connection with the lilies may be Hakuba Ike, near the residence he took up at Takagamine in Kyoto in 1615; if so, the letter was likely written after that date.

Kōetsu worked across diverse genres, including calligraphy, painting, and the decorative arts. Much of his personal correspondence revolves around social exchanges, such as accepting or declining invitations to tea gatherings. His brushwork conveys an effortless richness and expressive vitality.