옥좌에 앉은 성모자상

ca. 1175–1200
On view at The Met Fifth Avenue in Gallery 304
성모 마리아의 무릎에 확고하게 앉아 있는 아기 예수를 묘사한 이 구도는 단순한 모자상 이상으로 성스런 지혜의 체현으로서의 아기 예수의 역할을 강조합니다. 이러한 메시지를 강조하기 위해 예수가 책을 들고 있는 작품도 있습니다. 이 조각상은 성모 마리아의 옷에 표현된 리듬 있는 패턴, 얼굴을 두른 섬세한 베일, 방석에 해당하는 부분에 남아 있는 녹색 채색 흔적을 통해 엄숙미를 보여줍니다. 이러한 조각상은 예배 대상물이었으며 교회 행렬 행사의 일환으로서 운반되었습니다. 또한 이 조각상이 성유물함 역할을 했을 것으로 추정되는 이유는 성모상의 어깨 뒤쪽과 가슴에 두 개의 공동이 있기 때문입니다.

Artwork Details

Object Information
  • 제목: 옥좌에 앉은 성모자상
  • 연대: 1150– 1200년경
  • 지리: 오베르뉴
  • 문화: 프랑스
  • 재료: 호두나무, 채색, 젯소, 마
  • 크기: 79.5 × 31.7 × 29.2cm
  • 크레디트 라인: J. 피어폰트 모건 기증, 1916
  • 작품 번호: 16.32.194a, b
  • Curatorial Department: Medieval Art and The Cloisters

Audio

다음에서만 사용 가능: English
Cover Image for 82. Virgin and Child in Majesty, Part 1

82. Virgin and Child in Majesty, Part 1

Gallery 304

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ED VESSEL: The brain is intimately attuned to the minute differences in shape and arrangement of the hands. For example, understanding the particular meaning conveyed by particular hand grasps.

NARRATOR: Due to the condition of this sculpture, some important hand gestures have been lost.

GRIFFITH MANN: You see the hands of the Virgin Mary reaching around to hold the Christ Child, but Christ's arms and hands are missing. His right hand, which is extended towards us, would have been making a gesture of blessing, with two fingers raised up. And then his left hand probably would have been holding a book representing the Word made Flesh in the figure of Christ.

MELANIE HOLCOMB: The hand is a powerful symbol for a Medieval viewer. Many, many images from the Middle Ages will sometimes only represent God by a hand, because the hand suggests that we can't understand the whole body, the whole outline of God.

NARRATOR: Learn about this sculpture’s context. Press play.

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