
"A Technical Study of Henry Lerolle's Organ Rehearsal"

Isabelle Duvernois
Isabelle Duvernois joined the staff of the Department of Paintings Conservation in 2005. She works on paintings from the Modern and Contemporary collection, the Leonard A. Lauder Collection, and other curatorial departments. Her work focuses on the treatment, examination, and research of artists materials and techniques. She recently collaborated with curators on MMA exhibitions, The Vertigo of Color: Matisse, Derain, and the Origins of Fauvism (2023), Picasso: A Cubist Commission in Brooklyn (2023), Cubism and the Trompe L’oeil Tradition (2022), as well as on projects outside the Museum: Matisse: The Red Studio: (MoMA 2022), Modigliani Up Close (Barnes 2022). She received her training at the Conservation Center and the Institute of Fine Arts, New York University (2003).
Duvernois, Isabelle. (2023) Searching for Form and Color: Painting in Progress in Vertigo of Color: Matisse, Derain, and the Origins of Fauvism exhibition catalogue. The Metropolitan Museum of Art.
Modigliani’s Portraits of Jeanne Hébuterne 1918-1919: A Selected Technical and Material Study. Tate Papers, https://www.tate.org.uk/research/tate-papers/35/modigliani-portraits-of-jeanne-hebuterne-selected-technical-and-material-study
Duvernois, Isabelle. et al. Exploring the private universe of Henri Matisse in The Red Studio. Herit Sci10, 168 (2022). https://doi.org/10.1186/s40494-022-00797-0
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