Raphael: Sublime Poetry

Bambach, Carmen C.
2026
428 pages
445 illustrations
9.5 x 12 in
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Raphael (Raffaello di Giovanni Santi; 1483–1520) is unquestionably one of the most important artists of the Italian Renaissance. Despite living only thirty-seven years, he quickly emerged as a peer to both Leonardo and his avowed rival, Michelangelo. Raphael: Sublime Poetry spans his short but spectacular life and career, from his early training amid the culture of his native Urbino, through his prolific years in Florence, to his final, magnificent decade at the papal court in Rome. Though Raphael is best known for his meteoric success as a painter, draftsman, designer, and architect, this catalogue highlights his equal accomplishments as a humanist, antiquarian, and poet.

Carmen C. Bambach offers fresh perspectives on the beloved artist, reconsidering his well-known masterpieces and uncovering the importance of rarely seen treasures. The publication also sheds new light on Raphael’s relationship with women by identifying previously unrecognized models for his portraits and discussing the agency of his female patrons. Bringing together more than two hundred of Raphael’s drawings, paintings, tapestries, and decorative arts from public and private collections around the world, this catalogue is rich in archival discoveries and firsthand technical analyses. Lavishly illustrated and meticulously researched, it is the definitive text on the artist’s life, art, and enduring legacy.

Le Vite de' Piv Eccellenti Pittori Scultori et Architettori..., Giorgio Vasari  Italian, Woodcut illlustrations
Author Giorgio Vasari
Publisher Heirs of Filippo da Giunta
1568
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini)  Italian, Tempera and oil on wood
Fra Carnevale (Bartolomeo di Giovanni Corradini)
1467
Landscape (recto); Landscape (verso), Perugino (Pietro di Cristoforo Vannucci)  Italian, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso)
Perugino (Pietro di Cristoforo Vannucci)
1489–90
Study of a Kneeling Youth and of the Head of Another, Perugino (Pietro di Cristoforo Vannucci)  Italian, Metalpoint on pale pink-beige prepared paper
Perugino (Pietro di Cristoforo Vannucci)
1500
Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso), Raphael (Raffaello Sanzio or Santi)  Italian, Red chalk (recto); pen and brown ink (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1506–7
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci  Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Leonardo da Vinci
1480–85
Portable Icon with the Virgin Eleousa, Miniature mosaic set in wax on wood panel, with gold, multicolored stones, and gilded copper, Byzantine
Byzantine
early 1300s
Virgin and Child in a niche, Luca della Robbia  Italian, Glazed terracotta with gilt and painted details, Italian, Florence
Luca della Robbia
ca. 1460
Madonna and Child, Luca Signorelli (Luca d'Egidio di Luca di Ventura)  Italian, Oil and gold on wood
Luca Signorelli (Luca d'Egidio di Luca di Ventura)
ca. 1505–7
Madonna and Child Enthroned with Saints, Raphael (Raffaello Sanzio or Santi)  Italian, Oil and gold on wood
Raphael (Raffaello Sanzio or Santi)
ca. 1504
The Agony in the Garden, Raphael (Raffaello Sanzio or Santi)  Italian, Oil on wood
Raphael (Raffaello Sanzio or Santi)
ca. 1504
Marble sarcophagus fragment, Marble, Luni and Pentelic, Roman
Roman
mid-2nd century CE
Apollo sitting on Parnassus surrounded by the muses and famous poets, Marcantonio Raimondi  Italian, Engraving; second state of five
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1517–20
Giuliano de' Medici (1479–1516), Duke of Nemours, Raphael  Italian, Tempera and oil on canvas
Workshop (?) of Raphael
Villa of Agostino Chigi (La Farnesina), Rome, north façade, with ornamental detailing (recto); Villa of Agostino Chigi (La Farnesina), Rome, plan and moulding profiles (verso), Anonymous, French, 16th century  French, Pen and dark brown ink, black chalk, and incised lines
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
Lucretia, Raphael (Raffaello Sanzio or Santi)  Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Raphael (Raffaello Sanzio or Santi)
1508–10
The Massacre of the Innocents, Marcantonio Raimondi  Italian, Engraving
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1512–13
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi  Italian, Engraving
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
A plague scene at right, a man at left holding a torch illuminating part of the scene at left, sick people at the right, Marcantonio Raimondi  Italian, Engraving (heavily reworked)
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1515–16
Neptune calming the tempest which Aeolus raised against Aeneas' fleet, from Book I of the Aeneid, Marcantonio Raimondi  Italian, Engraving
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1515–16
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Bambach, Carmen C. Raphael: Sublime Poetry. The Metropolitan Museum Of Art, 2026.