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Journal v 52 cover

"The Roman Maniera: Newly Discovered Drawings"

Rinaldi, Furio
13 pages
12 illustrations
AAM Publications Design Competition First Prize, Magazines/Scholarly Journals (2018)
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The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum's collection. Highlights of volume 52 include a study of the intertwined relationship between two late masterpieces by Andrea del Sarto, new attributions for seven Roman drawings from the 16th and 17th centuries, and a reevaluation of Horace Pippin's painting, The Lady of the Lake from the late 1930s.

Study for the Figure of Saint Peter, Daniele da Volterra (Daniele Ricciarelli)  Italian, Black chalk
ca. 1545
The Last Supper, Anonymous, Italian, mid-16th century  Italian, Brush and brown wash, over black chalk
Study for the Ascension of the Virgin, Marco Pino  Italian, Pen and brown ink, brush and brown wash, squared in black chalk
16th century
Mary Magdalen Annointing the Feet of Christ, Raffaellino da Reggio (Raffaello Motta) or copy after Italian, Pen and brown ink, brush and brown wash over black chalk on light brown paper
Project for a Rectangular Ceiling with Papal Coat of Arms (recto); Design for a Courtyard (verso), Giovanni Alberti  Italian, Pen and brown ink, brush with brown and gray wash, ruling and compass work, over traces of black chalk
Vestal Virgin, Giovanni Guerra  Italian, Pen and brown ink, brush and brown wash, on white paper
16th century
A Cartouche and Two Shields Surrounded by Allegorical Figures., Andrea Lilli (Lilio)  Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over red and black chalk
Teatro delle Nobili et Virtuose Donne..., title page (recto), Isabella Catanea Parasole  Italian, Woodcut, engraving

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———. 2017c. Metropolitan Museum Journal Volume 52, 2017. Chicago: University of Chicago Press.