Press release

Urban Art by Christo and Jeanne-Claude The Gates Project for Central Park, 1979-2005 Previews at Metropolitan Museum in April 2004

Exhibition Dates: April 6—July 25, 2004
Exhibition Location: The American Wing, first floor, The Erving and Joyce Wolf Gallery

The evolution of the widely anticipated outdoor work of art for New York City initiated in 1979 by the husband-and-wife collaborators Christo and Jeanne-Claude will be the subject of the exhibition Christo and Jeanne-Claude: The Gates, Central Park, New York, on view at The Metropolitan Museum of Art from April 6 through July 25, 2004. Some 45 preparatory drawings and collages by Christo, 40 photographs, and 10 maps and technical diagrams will document the soon-to-be-realized work of art, which when completed will consist of 7,500 saffron-colored gates placed at 10- to 15-foot intervals throughout 23 miles of pedestrian walkways lacing Central Park from 59th Street to 110th Street and from Central Park West to Fifth Avenue.

The Gates, Central Park, New York City, 1979-2005 will remain on view in Central Park for 16 days in February 2005. This outdoor project – in which 193 gates will surround the Metropolitan Museum in the park, all the way to the glass wall of The American Wing – will be entirely financed by Christo and Jeanne-Claude.

Philippe de Montebello, Director, The Metropolitan Museum of Art, commented: "We are delighted to present the blueprints, if you will, of this far-reaching project, which the public will be able to preview here at the Museum. At long last Christo and Jeanne-Claude's project will see fruition, and our exhibition will trace the full course of its evolution. This work of massive scope, when realized, will surely constitute a tribute to the grandeur of Central Park and New York City, and reaffirm the continuity of culture and the centrality of art to the life of our city and all cities."

The Metropolitan Museum's exhibition will document the development of the project from its initial drawing of 1979 through preparatory studies from the 1980s, 1990s, and the present decade. Also on view will be actual components of one of the gates, each of which will measure 16 feet high and vary in width from six to 18 feet.

All works in the exhibition are from the collection of Christo and Jeanne-Claude.

For more than four decades, Christo and Jeanne-Claude have collaborated on such temporary outdoor works as Dockside Packages, Cologne Harbor, 1961; Wrapped Coast, Little Bay, Sydney, Australia, 1969; Valley Curtain, Rifle, Colorado, 1970-72; Running Fence, Sonoma and Marin Counties, California, 1972-76; Surrounded Islands, Biscayne Bay, Florida, 1980-83; The Pont Neuf Wrapped, Paris, 1975-85; Wrapped Reichstag, Berlin, 1971-95, and Wrapped Trees, Riehen-Basel, Switzerland 1997-98. The Metropolitan plans a full roster of educational events in conjunction with the exhibition, including a discussion by the artists about their current projects, and documentary films by the Maysles brothers about earlier works by Christo and Jeanne-Claude.

The Museum plans to publish an accompanying catalogue.

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