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Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Lucretia
Raphael (Raffaello Sanzio or Santi)
1508–10
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
The Censer, Martin Schongauer German, Engraving
The Censer
Martin Schongauer
After/with Georg Schongauer
1470–1491
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
Sharecropper, Elizabeth Catlett American and Mexican, Linocut printed in green and black
Sharecropper
Elizabeth Catlett
1952 (published 1968–70)
A Woman Seated at a Bench on the Avenue du Bois, Berthe Morisot French, Watercolor over traces of graphite
A Woman Seated at a Bench on the Avenue du Bois
Berthe Morisot
1885
Still-Life with a Watermelon and Pomegranates, Paul Cézanne French, Watercolor over graphite on laid paper
Still-Life with a Watermelon and Pomegranates
Paul Cézanne
1900–1906
Loggia of the Ducal Palace, Venice, John Ruskin British, Watercolor over graphite
Loggia of the Ducal Palace, Venice
John Ruskin
1849–50
Nocturne (Nocturne: The Thames at Battersea), James McNeill Whistler American, Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)
Nocturne (Nocturne: The Thames at Battersea)
James McNeill Whistler
1878
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Amya Petitioning Faustus for the Custody of Saint Mamas, Jean Cousin the Elder French, Pen and brown ink, brush and gray wash, with white gouache, over black chalk
Amya Petitioning Faustus for the Custody of Saint Mamas
Jean Cousin the Elder
ca. 1543
Reading the News at the Weavers' Cottage, Adriaen van Ostade Dutch, Pen and brown ink, watercolor, white heightening, over traces of graphite; framing lines by the artist (?) in pen and brown ink and gold
Reading the News at the Weavers' Cottage
Adriaen van Ostade
1673
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens Flemish, Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens
1617
Phaeton, from "The Four Disgracers", Hendrick Goltzius Netherlandish, Engraving
Phaeton, from "The Four Disgracers"
Hendrick Goltzius
After Cornelis Cornelisz van Haarlem
1588
Angel of the Revelation (Book of Revelation, chapter 10), William Blake British, Watercolor, pen and black ink, brush and wash, over traces of graphite
Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
ca. 1803–5
The Entombment, Sir Edward Burne-Jones British, Green, blue, brown and touches of reddish bodycolor, heightened with white gouache (bodycolor)
The Entombment
Sir Edward Burne-Jones
1879
Lindisfarne Castle, Holy Island, Northumberland, Thomas Girtin British, Watercolor and bodycolor (gouache)
Lindisfarne Castle, Holy Island, Northumberland
Thomas Girtin
1796–97
Édouard Manet, Seated, Holding His Hat, Edgar Degas French, Graphite and black chalk
Édouard Manet, Seated, Holding His Hat
Edgar Degas
Sitter Edouard Manet
ca. 1868
The Connoisseur, Honoré Daumier French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
The Connoisseur
Honoré Daumier
ca. 1860–65
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec French, Lithograph printed in four colors; three sheets of wove paper
Moulin Rouge: La Goulue
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
The Genius of Castiglione, Giovanni Benedetto Castiglione (Il Grechetto) Italian, Etching
The Genius of Castiglione
Giovanni Benedetto Castiglione (Il Grechetto)
Publisher Giovanni Giacomo De Rossi
Dedicatee Matthys van de Merwede, Lord of Clootwyck
ca. 1645–47 (published 1648)
Landscape with a Double Spruce, Albrecht Altdorfer German, Etching
Landscape with a Double Spruce
Albrecht Altdorfer
ca. 1521–22
The Raising of Lazarus, Jacques Bellange French, Pen and brown ink, brown wash
The Raising of Lazarus
Jacques Bellange
ca. 1606–8
Usuyuki, Jasper Johns American, Screenprint
Usuyuki
Jasper Johns
Publisher Jasper Johns
Publisher Simca Print Artists Inc.
1981
Bacchanal with a Wine Vat, Andrea Mantegna Italian, Engraving and drypoint
Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475
Frank Johnson, Leader of the Brass Band of the 128th Regiment in Saratoga, with his wife, Helen, Auguste Edouart French, Cut paper silhouettes mounted on board
Frank Johnson, Leader of the Brass Band of the 128th Regiment in Saratoga, with his wife, Helen
Auguste Edouart
1842–44
Pink and Rose, William Morris British, Block-printed in distemper colors
Pink and Rose
Designer William Morris
Manufacturer Morris & Company
Printer Jeffrey & Co.
ca. 1890
Two Draft Horses with a Sleeping Driver, Théodore Géricault French, Brush and brown and gray wash, over graphite
Two Draft Horses with a Sleeping Driver
Théodore Géricault
1820–22
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13
Christ Carrying the Cross, Martin Schongauer German, Engraving
Christ Carrying the Cross
Martin Schongauer
ca. 1475–80
Adam and Eve, Albrecht Dürer German, Engraving
Adam and Eve
Albrecht Dürer
1504
Melencolia I, Albrecht Dürer German, Engraving
Melencolia I
Albrecht Dürer
1514
Astronomicum Caesareum, Michael Ostendorfer German, Hand-colored woodcuts
Astronomicum Caesareum
Michael Ostendorfer
Author Petrus Apianus
Printer Georg and Petrus Apianus
May 1540
Icarus, plate VIII from the illustrated book "Jazz", Henri Matisse French, Pochoir
Icarus, plate VIII from the illustrated book "Jazz"
Multiple artists/makers
1947
Portrait of Alain de Coëtivy (1407–1474), Jean Fouquet French, Metalpoint, black chalk on white prepared paper
Portrait of Alain de Coëtivy (1407–1474)
Jean Fouquet
ca. 1451–55
Tahitian Faces (Frontal View and Profiles), Paul Gauguin French, Charcoal on laid paper
Tahitian Faces (Frontal View and Profiles)
Paul Gauguin
ca. 1899
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35