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La Fin du monde: A Modernist Book

This digital research project brings together—for the first time—interactive scans of two versions of an artist’s book: La Fin du monde filmée par l’Ange N.-D. (The End of the World Filmed by the Angel of Notre Dame), written by poet Blaise Cendrars and illustrated by artist Fernand Léger in 1919. The deluxe copy held by the Research Center (edition 15 of 25) includes Léger’s original maquette (mock-up) for the published book, bound into the back. A standard copy held by the Bibliothèque nationale de France accompanies Cendrars’s unique proofs for the manuscript. The project allows users to examine and compare these documents, offering a glimpse into the artist’s bold choices of composition and color as well as the creative process shared between writer and artist.

The resource also includes the first English translation of Cendrars’s text, four specially commissioned essays by scholars, including two by lead researcher Christopher Green, and a video analysis by a paper conservator about The Met object.

This digital research project from the Leonard A. Lauder Research Center for Modern Art is a collaboration with the Bibliothèque nationale de France. Materials are made available for research purposes only. All rights are owned by The Metropolitan Museum of Art unless otherwise indicated. For more information, please see Terms and Conditions.


Image of spread 10 in La Fin du monde - a modernist book
Digitized Object
View an interactive scan of a rare edition of the book and artist’s maquette held by The Met.
Image of spread 69 in La Fin du monde and Cendrars's Maquette
Digitized Object
View a version of the book held by the Bibliothèque nationale de France and the accompanying unique maquette by Cendrars, his corrected proof, and notes.

Image of spread 21 of La Fin du monde
Essay
Christopher Green explores the narrative and illustrations of La Fin du monde.
Image of Thorvald Hellesen, Peinture, 1920
Essay
Christopher Green considers the geopolitical and cultural factors that influenced La Fin du monde.
Image of Untitled, Mechanical Composition, Ploughing Motion, around 1918-1920, gouache; India ink on paper, height: 34 cm, width: 45 cm. Photo (C) Adrien Didierjean.
Essay
Lauren Rosati looks at the visual program of La Fin du monde in the context of film and cinematic space in the early 1920s.
Image of Pablo Picasso, Mlle Léonie from Max Jacob, Saint Matorel, 1910/11
Essay
Caroline Levitt examines La Fin du monde within the broader tradition of modernist artist’s books.
Image of spread 24 of La Fin du monde.
Essay
The first ever English translation of La Fin du monde by Mark Polizzotti.
A woman opens a book, flanked by supports on either side, atop a white table.
Video
A close examination of The Met’s luxury copy of the printed book and original artist’s maquette for La Fin du monde.

Headshot of Christopher Green

Christopher Green

Lead Researcher, Emeritus Professor in the History of Art, Courtauld Institute of Art
Headshot of Jen Begazo

Jen Begazo

Project Manager, Digital Programs Associate, Leonard A. Lauder Research Center for Modern Art
Headshot of Neil Cox

Neil Cox

Head of the Leonard A. Lauder Research Center for Modern Art
Headshot of Lauren Rosati

Lauren Rosati

Associate Curator, Department of Modern and Contemporary Art & Research Projects Manager, Leonard A. Lauder Research Center for Modern Art

Special thanks to:
Kai Cataldo, Senior Software Developer, Digital Department, The Met
Jean-Marc Chatelain, Director of the Rare Books Collection, BnF
Robyn Fleming, Museum Librarian, Interlibrary Services and Digital Initiatives, The Met
Lucia Giordano, Senior Product Manager, Digital Department, The Met
Eleanor Hughes, Editor
Natalie Leborgne, Head of the Digitized Collections Cataloging Unit, Department of Conservation, BnF
Caroline Levitt
, Essay Author; Senior Lecturer, Courtauld Institute of Art
Alan McCarthy-Behler, Museum Librarian, Systems, The Met
Rachel Mustalish, Sherman Fairchild Conservator in Charge, Paper Conservation, The Met
Mark Polizzotti, Translator; Publisher and Editor in Chief, The Met
Heather Read, Image Acquisitions; Research Associate, Leonard A. Lauder Research Center for Modern Art, The Met
Bérénice Stoll, Chief Conservator, Rare Books Collection, Twentieth-Century Collections, BnF
Julie Turgeon, Lead Product Designer, Digital Department, The Met


View Citations

Leonard A. Lauder Research Center for Modern Art. “La Fin du monde: A Modernist Book.” Digital research project for La Fin du monde filmée par l’Ange N.-D. (Éditions de la Sirène, 1919). The Metropolitan Museum of Art, New York. Updated June, 2026. https://www.metmuseum.org/research/projects/la-fin-du-monde.

If you have comments, questions, or feedback, please complete and submit this form. The team looks forward to receiving your comments.