In 1969, Richard Avedon was at a crossroads. After a five-year hiatus, the photographer started making portraits again, this time with a new camera and a new sense of scale. Trading his handheld Rolleiflex for a larger, tripod-mounted device, he re…
Editorial Assistant Nadja Hansen spoke with Sabine Rewald, curator of Balthus: Cats and Girls—Paintings and Provocations, to discuss her personal fascination with the artist and her latest research regarding Balthus's subjects.
In this preface to the Obsession catalogue, exhibition curator Sabine Rewald writes about the "private pleasures" that drew Scofield Thayer to nudes by Gustav Klimt, Egon Schiele, and Pablo Picasso.
Publishing and Marketing Assistant Rachel High sits down with Curator Sabine Rewald to discuss the inspiration for the catalogue Max Beckmann in New York, the devotion of Beckmann's wife Quappi, and the artist's refusal to interpret his work to others.
Editorial Assistant Nadja Hansen spoke with Sabine Rewald, curator of Rooms with a View: The Open Window in the 19th Century, to ask about her inspiration for the exhibition and the process of creating such a beautiful exhibition and catalogue.
Among The Met's extensive collection of ephemera is a set of valentines by the Victorian artist Kate Greenaway. In honor of Valentine's Day, our resident cataloger of valentines, Nancy Rosin, shares her favorites and discusses their unique artistry.
General Manager of Creative Production Christopher Noey shares highlights of the group's trip to the Persian Gulf, starting with impressive structures in Qatar.