Wir arbeiten daran, diese Seite so schnell wie möglich zu übersetzen. Vielen Dank für Ihr Verständnis.

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

More than 10,000 results for john-constable

Sort by:

Hampstead Heath with Bathers, John Constable British, Oil on canvas — Hampstead Heath with Bathers
John Constable
ca. 1821–22

Salisbury Cathedral from the Bishop's Grounds, John Constable British, Oil on canvas — Salisbury Cathedral from the Bishop's Grounds
John Constable
ca. 1825

Stoke-by-Nayland, John Constable British, Oil on canvas — Stoke-by-Nayland
John Constable
ca. 1810–11

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), John Constable British, Oil on canvas — Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856)
John Constable
1818

A Mill Near Colchester, John Constable British, Watercolor over traces of graphite, with scratching out and a touch of pen and brown ink on the horizon, evidence of squaring for transfer in graphite, with a color wash test verso — A Mill Near Colchester
John Constable
1833

Young pollards, John Constable British, Black chalk — Young pollards
John Constable
George Frost
ca. 1801

Derbyshire landscape, John Constable British, Brush and gray wash and graphite — Derbyshire landscape
John Constable
ca. 1801–2

Cloud study, John Constable British, Watercolor over graphite — Cloud study
John Constable
1830–35

Cover for English Landscape, by John Constable, R.A., Proofs

John Constable

David Lucas

1832

Weymouth Bay, David Lucas British, Mezzotint on chine collé; progress proof — Weymouth Bay
David Lucas
John Constable
1830

Cloud Study at Hampstead Heath, Lionel Bicknell Constable, Black chalk — Cloud Study at Hampstead Heath
Lionel Bicknell Constable
John Constable
1850–87

Landscape with Figure, George Morland British, Black chalk on off-white wove paper, laid on gray wash-line mount — Landscape with Figure
George Morland
John Constable
late 18th–early 19th century

The Lock, after Constable, Walter Monteith Aikman American, Wood engraving — The Lock, after Constable
Walter Monteith Aikman
John Constable
1912

Summer Evening, David Lucas British, Mezzotint on chine collé; third state of five — Summer Evening
David Lucas
John Constable
1831

A Mill, David Lucas British, Mezzotint on chine collé; fourth state of five — A Mill
David Lucas
John Constable
1832

A Mill, David Lucas British, Mezzotint on chine collé; first state of five — A Mill
David Lucas
John Constable
1830

Mill near Colchester, David Lucas British, Mezzotint on chine collé; progress proof — Mill near Colchester
David Lucas
John Constable
1845–46

Mill near Colchester, David Lucas British, Mezzotint on chine collé; progress proof — Mill near Colchester
David Lucas
John Constable
1845–46

Summer Morning, David Lucas British, Mezzotint; progress proof [on chine collé?] — Summer Morning
David Lucas
John Constable
1831

A Summerland, David Lucas British, Mezzotint on chine collé; progress proof — A Summerland
David Lucas
John Constable
1831

Mill near Brighton, David Lucas British, Mezzotint with drypoint on chine collé; progress proof — Mill near Brighton
David Lucas
John Constable
1829

Hadleigh Castle: Large Plate, David Lucas British, Mezzotint on chine collé; progress proof — Hadleigh Castle: Large Plate
David Lucas
John Constable
1830–32

Mill near Brighton, David Lucas British, Mezzotint on chine collé; progress proof — Mill near Brighton
David Lucas
John Constable
1829

A Dell, Helmingham Park, Suffolk, David Lucas British, Mezzotint on chine collé; progress proof — A Dell, Helmingham Park, Suffolk
David Lucas
John Constable
1830

A Summerland, David Lucas British, Mezzotint on chine collé; progress proof — A Summerland
David Lucas
John Constable
1831

Summer Evening, David Lucas British, Mezzotint on chine collé with drypoint; progress proof — Summer Evening
David Lucas
John Constable
1829

Stoke-by-Neyland, David Lucas British, Mezzotint, lettered proof; second state of four — Stoke-by-Neyland
David Lucas
John Constable
1830

Old Sarum, David Lucas British, Mezzotint and engraving on chine collé, lettered proof; first state of two — Old Sarum
David Lucas
John Constable
1830

Spring, David Lucas British, Mezzotint on chine collé; progress proof — Spring
David Lucas
John Constable
1829

A Mill, David Lucas British, Mezzotint; progress proof — A Mill
David Lucas
John Constable
1829

Departing Storm, David Lucas British, Mezzotint on chine collé; progress proof — Departing Storm
David Lucas
John Constable
1829

Stoke-by-Neyland, David Lucas British, Mezzotint on chine collé; progress proof touched with white chalk and black ink — Stoke-by-Neyland
David Lucas
John Constable
1829

Stoke-by-Neyland, David Lucas British, Mezzotint on chine collé; progress proof — Stoke-by-Neyland
David Lucas
John Constable
1829

Stoke-by-Neyland, David Lucas British, Mezzotint, lettered proof; first state of four — Stoke-by-Neyland
David Lucas
John Constable
1830

A Summerland, David Lucas British, Mezzotint on chine collé; progress proof — A Summerland
David Lucas
John Constable
1831

Spring, David Lucas British, Mezzotint; progress proof — Spring
David Lucas
John Constable
1829

A Seabeach, Brighton, David Lucas British, Mezzotint on chine collé; progress proof — A Seabeach, Brighton
David Lucas
John Constable
1830

Weymouth Bay, David Lucas British, Mezzotint; progress proof [on chine collé?] — Weymouth Bay
David Lucas
John Constable
1830

Summer Evening, David Lucas British, Mezzotint; progress proof — Summer Evening
David Lucas
John Constable
1829

Approaching Storm, View on the Thames, David Lucas British, Mezzotint on chine collé; progress proof — Approaching Storm, View on the Thames
David Lucas
John Constable
1829