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Department

ca. 1491–1473 BCE

ca. 1640–1450 BCE

United Society of Believers in Christ’s Second Appearing (“Shakers”)
1800–1900

United Society of Believers in Christ’s Second Appearing (“Shakers”)
1800–1900

ca. 1300–1080 BCE

American
ca. 1850

American
1680–1700

United Society of Believers in Christ’s Second Appearing (“Shakers”)
1800–1900

United Society of Believers in Christ’s Second Appearing (“Shakers”)
1800–1900

Giles Gilson
1980

ca. 1981–1550 B.C.

United Society of Believers in Christ’s Second Appearing (“Shakers”)
1800–1900

Attributed to the Penthesilea Painter
ca. 465–460 BCE

Indonesia (Sulawesi)
ca. 500 BCE–300 CE

French
ca. 1310–30
7th century
17th century
![[Daguerreotype Plate Box], Unknown, Linden wood, plated iron, iron-gall ink](https://images.metmuseum.org/CRDImages/ph/web-additional/DP-13897-100.jpg)
Unknown
ca. 1840s
![[Daguerreotype Plate Box], Unknown, Linden wood, plated iron, iron-gall ink](https://images.metmuseum.org/CRDImages/ph/web-additional/DP-13897-093.jpg)
Unknown
1840s
Various artists
1993–94

British or French
probably 18th century

Tortoiseshell and piqué work by Wilhelm Krüger
or Benjamin Ephraim Krüger
18th century

10th–early 11th century

Designer James Prestini
ca. 1940

ca. 1550–1458 BCE

ca. 1051–1002 BCE

French
ca. 1651–61

Robert R. Jarvie
1916

German or Dutch
ca. 1720–30
Marie Zimmermann
ca. 1910–20

French, Paris
1736–38

Workshop of Nicolas François Foulon
late 17th–early 18th century

Lucien Falize
Alexis Falize
ca. 1875

Joseph Heinrichs
ca. 1905

Johann Christian Sick
ca. 1800

Johann Christian Sick
ca. 1800

German
13th century

Italian
15th century

Italian
15th century

Laurence B. Dixon,
Eda Lord Dixon
1924

American
1660–1700

American
1675–1700
Content Notice
The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.