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39 results for coptic-art
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Color study of Coptic patterns, Tiffany Studios, Gouche and graphite on paper, American
Color study of Coptic patterns
Tiffany Studios
Leslie Hayden Nash
1920–27
Band Fragment with Masks, Lotus Flowers, and Birds, Tapestry weave in polychrome wool and undyed linen, Coptic
Band Fragment with Masks, Lotus Flowers, and Birds
Coptic
400–700
Band Fragment with Masks, Lotus Flowers, and Birds, Tapestry weave in polychrome wool and undyed linen, Coptic
Band Fragment with Masks, Lotus Flowers, and Birds
Coptic
400–700
Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Charles K. Wilkinson, Tempera on paper, Coptic
Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis
Charles K. Wilkinson
325–375
Color study of Coptic patterns (recto); Sketch of a lamp (verso), Tiffany Studios, Gouache, ink, and graphite on paper, American
Color study of Coptic patterns (recto); Sketch of a lamp (verso)
Tiffany Studios
Leslie Hayden Nash
1920–27
Booklet of Coptic drawings, notes, and sketches
Tiffany Studios
Leslie Hayden Nash
1920–27
Capital with a Basket-Weave Pattern and Rams’ Heads, Limestone; carved in relief
Capital with a Basket-Weave Pattern and Rams’ Heads
5th–6th century
Square with Putti in a Nilotic Landscape, Linen, wool; plain weave, tapestry weave
Square with Putti in a Nilotic Landscape
4th–5th century
Fragment from a Molding with Rosettes and Acanthus Clusters, Limestone; carved in relief
Fragment from a Molding with Rosettes and Acanthus Clusters
5th–6th century
Fragment from a Molding with Rosettes and Acanthus Clusters, Limestone; carved in relief
Fragment from a Molding with Rosettes and Acanthus Clusters
5th–6th century
Fragment from a Molding with Vines and an Amphora (Vase), Limestone; carved in relief
Fragment from a Molding with Vines and an Amphora (Vase)
6th century
Fragment from a Molding with Acanthus Clusters under Arcades, Limestone; carved in relief
Fragment from a Molding with Acanthus Clusters under Arcades
5th–6th century
Fragment from a Post or Lintel with Leaves Branching from a Running Vine, Limestone; carved in relief
Fragment from a Post or Lintel with Leaves Branching from a Running Vine
6th–7th century
Fragment from a Post or Lintel with Leaves Branching from a Running Vine , Limestone; carved in relief

Fragment from a Post or Lintel with Leaves Branching from a Running Vine

6th–7th century
Fragment from a Frieze with Acanthus-Leaf Wheels, Limestone; carved in relief
Fragment from a Frieze with Acanthus-Leaf Wheels
6th century
Corner Block from a Frieze with a Meander Pattern of Lines and Rosettes, Limestone; carved in relief
Corner Block from a Frieze with a Meander Pattern of Lines and Rosettes
6th century
Embroidered Textile with Three Saints , Cotton; embroidered in gold wrapped thread and silk

Embroidered Textile with Three Saints

12th century
Dikran G. Kelekian, Milton Avery American, Oil on canvas
Dikran G. Kelekian
Milton Avery
1943
Color study, Tiffany Studios, Gouache and graphite on paper, American
Color study
Tiffany Studios
Leslie Hayden Nash
1920–27
Fragment of a Door Jamb with Geometric and Vegetal Motifs, Limestone; traces of paint on plaster
Fragment of a Door Jamb with Geometric and Vegetal Motifs
5th–6th century
Engaged Column Part with Meander Pattern, Limestone; carved in relief
Engaged Column Part with Meander Pattern
ca. 6th century
Fragment of a Frieze with Vine Scrolls Bearing Grapes, Limestone; carved in relief
Fragment of a Frieze with Vine Scrolls Bearing Grapes
6th–7th century
Fragment of a Frieze with Acanthus Scrolls, Palmettes, and Flowers, Limestone; carved in relief
Fragment of a Frieze with Acanthus Scrolls, Palmettes, and Flowers
4th–5th century
Fragment of a Frieze with a Sequence of Roundels Enclosing Rosettes, Limestone; carved in relief
Fragment of a Frieze with a Sequence of Roundels Enclosing Rosettes
5th–6th century
Fragment of a Frieze with a Geometrical Pattern, Limestone; carved in relief
Fragment of a Frieze with a Geometrical Pattern
5th–7th century
Fragment of a Frieze with a Sequence of Roundels Enclosing Rosettes, Limestone; carved in relief
Fragment of a Frieze with a Sequence of Roundels Enclosing Rosettes
5th–6th century
Frieze with a Pattern of Interlaced Leaves, Limestone; carved in relief
Frieze with a Pattern of Interlaced Leaves
5th–7th century
Fragment with a Pattern of Interlaced Leaves, Limestone; carved in relief
Fragment with a Pattern of Interlaced Leaves
6th century
Evening coat, Fortuny Italian, silk, Italian
Evening coat
Design House Fortuny
Designer Mariano Fortuny y Madrazo
ca. 1925
Design of a brooch or pendant with sketches
Tiffany Studios
Leslie Hayden Nash
1920–27
Drawing of Egyptian Pendent
Tiffany Studios
Leslie Hayden Nash
1920–27
Fan-shaped stencil
Tiffany Studios
Leslie Hayden Nash
1920–27
Two square stencils
Tiffany Studios
Leslie Hayden Nash
1920–27
Design for a Tray
Tiffany Studios
Leslie Hayden Nash
1920–27
Design for a Tray
Tiffany Studios
Leslie Hayden Nash
1920–27
Design for a Cake Basket
Tiffany Studios
Leslie Hayden Nash
1920–27
Design for a Light Fixture
Tiffany Studios
Leslie Hayden Nash
1920–27
Various rubbings
Tiffany Studios
Leslie Hayden Nash
1920–27
Evening coat, Fortuny Italian, silk, metal, Italian
Evening coat
Design House Fortuny
Designer Mariano Fortuny y Madrazo
ca. 1920