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Multiple artists/makers
ca. 1628–56

Anonymous
After Peter Paul Rubens
Sitter Infanta Isabella Clara Eugenia
ca. 1625–1700

Gerard David
ca. 1500–1505

Belgian, Liège, possibly for Spanish market
first half 18th century

British, London
1619/20, with later restorations

Workshop of Jan van Eyck
ca. 1440–50

Chinese, for Dutch market
ca. 1710–25

Master of the Female Half-Lengths
ca. 1525–50

Watchmaker: W.A.
1571

Netherlandish or British (?)
19th century

Netherlandish or British (?)
19th century

Author Samuel Putnam Avery Sr.
1871–82

Giovanni Antonio Pellegrini
1720s

British
ca. 1600

Netherlandish
15th century
Flemish or Italian
ca. 1635

Clockmaker: Charles-Nicolas Dutertre
Manufactory Porcelain by Sèvres Manufactory
ca. 1775

Publisher William and Henry Rock
1838–55

Manufactory Chelsea Porcelain Manufactory
Modeler Joseph Willems
ca. 1753–55

After a model attributed to Hubert Gerhard
1605–10

Engraver Horace Harral
After Matthew James Lawless
July 25, 1863

Publisher Ildefonso Mompié
ca. 1820–40

Publisher Issued by American Caramel Company, Philadelphia
ca. 1910

Balthasar Anton Dunker
Jacques Philippe Le Bas
After Jan Brueghel the Elder
1772
Publisher Willem Jansz Blaeu
1613

Thomas Rowlandson
Publisher S. W. Fores
June 1, 1790

James McNeill Whistler
1878–79

Charles Jacque
ca. 1852

Dutch
1620–40

Jacques Philippe Le Bas
After Jan Brueghel the Elder

Dutch
1640–60
China
19th century

Thomas Rowlandson
Publisher S. W. Fores
April 4, 1796

Author George Augustus Sala
Publisher Committee of the Society for Keeping Things in Their Places
1850

Spanish, Seville
16th century

Dutch
18th–19th century

Honoré Daumier
Printer Destouches
Publisher Arnaud de Vresse
February 1, 1866

Dutch
18th–19th century

Dutch, Rotterdam or Friscia
18th century

Adriaen Collaert
After Hans Bol
ca. 1584

Thomas Rowlandson
After George Murgatroyd Woodward
Publisher Rudolph Ackermann, London
June 20, 1799

Dutch
1640–60
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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.