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1-42 of 73 results for ovids-metamorphoses
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Marsyas, Christophe Veyrier, Marble, French, possibly Toulon
Marsyas
Attributed to Christophe Veyrier
second half 17th century
Venus and Adonis, Titian (Tiziano Vecellio) Italian, Oil on canvas
Venus and Adonis
Titian (Tiziano Vecellio)
1550s
Orpheus Attacked by the Maenads, Suzanne de Court French, Painted enamel on copper, partly gilt; gilt brass, French, Limoges
Orpheus Attacked by the Maenads
Enameler Suzanne de Court
first quarter 17th century
Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot French, Oil on canvas
Diana and Actaeon (Diana Surprised in Her Bath)
Camille Corot
1836
Perseus and the Origin of Coral, Claude Lorrain (Claude Gellée) French, Black chalk, sepia and black ink, sepia and gray wash heightened with white
Perseus and the Origin of Coral
Claude Lorrain (Claude Gellée)
ca. 1671
Banquet of the Gods, Guglielmo della Porta Italian, Gold, lapis lazuli, carnelian, Italian, Rome
Banquet of the Gods
Designer Guglielmo della Porta
Probably cast by Antonio Gentili (Antonio da Faenza)
after 1585
Coffeepot (part of a service), Doccia Porcelain Manufactory Italian, Hard-paste porcelain, Italian, Florence
Coffeepot (part of a service)
Manufactory Doccia Porcelain Manufactory
ca. 1760
Terracotta amphora (jar), Terracotta, Greek, Attic
Terracotta amphora (jar)
Greek, Attic
ca. 560–550 BCE
Theseus Fighting the Centaur Bianor, Antoine-Louis Barye French, Bronze (sand cast), French, Paris
Theseus Fighting the Centaur Bianor
Antoine-Louis Barye
modeled 1849, cast ca. 1867
Jewelry box, P. Ben, Silver, engraved; brass, partially gilt, German, probably Nuremberg or Flemish
Jewelry box
P. Ben
1627
The Golden Age, Joachim Wtewael Netherlandish, Oil on copper
The Golden Age
Joachim Wtewael
1605
Dish, Saint-Jean-du-Désert, Faience (tin-glazed earthenware), French, Marseilles
Dish
Factory Saint-Jean-du-Désert
After an engraving by Bernard Salomon
late 17th century
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware)
Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25
Watch, David Ramsay, Case: painted enamel on copper, partly gilt, and silver gilt; Movement: gilded brass, steel, partly blued, and silver, British, probably London
Watch
Watchmaker: David Ramsay
Enameler Plaques by I. R. (probably Jean Reymond)
ca. 1620–25
Vase, Isaac de Benserade French, Earthenware, French, Nevers
Vase
Based on an engraving in the 1676 translation by Isaac de Benserade
1680–1700
Medea Rejuvenating Aeson, Corrado Giaquinto Italian, Oil on canvas
Medea Rejuvenating Aeson
Corrado Giaquinto
ca. 1760
Diana and Actaeon from a set of Ovid's Metamorphoses, Manufacture Nationale des Gobelins French, Wool, silk (20 warps per inch, 8 per cm.), French, Paris
Diana and Actaeon from a set of Ovid's Metamorphoses
Manufactory Woven at or near Manufacture Nationale des Gobelins
Workshop of Jean Jans the Younger
designed before 1680, woven late 17th–early 18th century
Jupiter, in the Guise of Diana, and Callisto, François Boucher French, Oil on canvas
Jupiter, in the Guise of Diana, and Callisto
François Boucher
1763
Boreas and Orithyia from a set of scenes from Ovid's Metamorphoses, René Antoine Houasse French, Wool, silk, metal thread (19-22 warps per inch, 7-9 per cm.), French, Beauvais
Boreas and Orithyia from a set of scenes from Ovid's Metamorphoses
Designer René Antoine Houasse
Manufactory Beauvais
designed ca. 1690, woven before 1730
Girl holding fruit, Clodion (Claude Michel) French, Terracotta, French
Girl holding fruit
Clodion (Claude Michel)
probably after model of 1780s
Footed dish with Diana and Actaeon, Fra Xanto Avelli da Rovigo, Maiolica (tin-glazed earthenware), Italian, probably Urbino
Footed dish with Diana and Actaeon
Artist sometimes signing FR, perhaps Fra Xanto Avelli da Rovigo
ca. 1525
Puteal (wellhead) with Narcissus and Echo, and Hylas and the Nymphs, Marble, Roman
Puteal (wellhead) with Narcissus and Echo, and Hylas and the Nymphs
Roman
2nd century
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century
Mercury and Battus, Francisque Millet French, Oil on canvas
Mercury and Battus
Francisque Millet
Venus and Adonis, Peter Paul Rubens Flemish, Oil on canvas
Venus and Adonis
Peter Paul Rubens
probably mid-1630s
Pygmalion and Galatea, Jean-Léon Gérôme French, Oil on canvas
Pygmalion and Galatea
Jean-Léon Gérôme
ca. 1890
Neptune and Caenis, Johann Sadeler I Netherlandish, Bronze, with dark brown lacquer patina, probably Netherlandish
Neptune and Caenis
Based on an engraving by Johann Sadeler I
After a drawing by Bartholomeus Spranger
late 16th–early 17th century
The Orpheus Cup, Jan Vermeyen German, Gold: cast, embossed, and engraved; enamel: ronde-bosse and painted; rubies, Austrian, Vienna
The Orpheus Cup
Multiple artists/makers
1641–42, the jeweled elements on the lid in the form of animals, amorini holding bow and quiver, and the statuettes of Orpheus and Diana, Prague, ca.1600
Embroidered panel with Grotesque decoration, Bernard Salomon French, Silk thread on silk, French
Embroidered panel with Grotesque decoration
Narrative scenes adapted from woodcuts by Bernard Salomon
1560–70
Jupiter and Io (recto); sketch of a male figure stabbing himself in the chest (verso), Francesco Salviati (Francesco de' Rossi) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in red chalk (recto); pen and gray ink (verso)
Jupiter and Io (recto); sketch of a male figure stabbing himself in the chest (verso)
Attributed to Francesco Salviati (Francesco de' Rossi)
mid-16th century
Andromeda and the Sea Monster, Domenico Guidi Italian, Marble, Italian, Rome
Andromeda and the Sea Monster
Domenico Guidi
Patron Commissioned by Francesco II, Duke of Mantua and Reggio
1694
Acis and Galatea, Francesco Bartolozzi Italian, Engraving and etching; third state of three
Acis and Galatea
Francesco Bartolozzi
After Giovanni Battista Cipriani
Publisher Francesco Bartolozzi
1787
The Fall of Phaeton, from Ovid's "Metamorphoses", Anonymous, Netherlandish, 17th century Netherlandish, Engraving
The Fall of Phaeton, from Ovid's "Metamorphoses"
Anonymous, Netherlandish, 17th century
After Hendrick Goltzius
ca. 1588
Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from "Story of Apollo and Daphne", Master of the Die Italian, Engraving
Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from "Story of Apollo and Daphne"
Engraved by Master of the Die
Designed by Baldassarre Tommaso Peruzzi
1530–60
The Morning After "He Greatly Daring Dined", Hill and Adamson British, Scottish, Salted paper print from paper negative
The Morning After "He Greatly Daring Dined"
Photography Studio Hill and Adamson
David Octavius Hill
Robert Adamson
1843–47
Diana and Actaeon, Bartholomeus Spranger Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink
Diana and Actaeon
Bartholomeus Spranger
ca. 1580–85
Nessus and Dejanira, Francesco Fanelli Italian, Bronze, Possibly Italian
Nessus and Dejanira
Possibly after a model by Francesco Fanelli
possibly late 17th century
Embossed Shield, Wood, leather, Italian
Embossed Shield
Italian
ca. 1560
Cantle Plate, Steel, gold, German, Augsburg or Nuremberg
Cantle Plate
German, Augsburg or Nuremberg
ca. 1565–75
Methamorphoseos vulgare, Ovid Roman, Printed book with woodcut illustrations
Methamorphoseos vulgare
Multiple artists/makers
March 7, 1501
Ceres pleading with Jove for the return of Prosperpina, from Ovid, "Metamorphoses," Book V, Thomas Carwitham British, Pen and black ink, brush and brown wash
Ceres pleading with Jove for the return of Prosperpina, from Ovid, "Metamorphoses," Book V
Thomas Carwitham
1713–33
Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from "Story of Apollo and Daphne", Master of the Die Italian, Engraving
Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from "Story of Apollo and Daphne"
Master of the Die
After Baldassarre Tommaso Peruzzi
1530–60

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