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More than 10,000 results for plate
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Plate, Imperial Porcelain Manufactory, St. Petersburg  Russian, Hard-paste porcelain, Russian, St. Petersburg
Imperial Porcelain Manufactory, St. Petersburg
1755–60
Plate, John Monday  American, Earthenware; Redware with sgraffito decoration, American
John Monday
1830
Plate with the Battle of David and Goliath, Silver, Byzantine
Byzantine
629–30
Footed Bowl and Plate, Glass, opalescent white; blown, bowl with applied stem and blown applied foot, fired silver and gold decoration
first half 18th century
[Sutar ka Jhopda Cave Interior, Ellora Caves], Alfred William Plâté  German, Platinum print
Alfred William Plâté
1890–1900
Plate with a hunting scene from the tale of Bahram Gur and Azadeh, Silver, mercury gilding, Sasanian
Sasanian
ca. 5th century CE
Plate, Louis C. Tiffany  American, Gilt bronze, American
Louis C. Tiffany
Tiffany Studios
ca. 1905
Plate, Tin-glazed earthenware, Spanish
Spanish
late 14th–early 15th century
Plate, Silver-gilt; embossed, Italian or Portuguese
Italian or Portuguese
ca. 1500–1525
Plate, Glass; free blown, enameled and gilded; tooled on the pontil
ca. 1350–1357
Plate, Tin-glazed earthenware, Spanish
Spanish
1430–1470
Toast rack, Christopher Dresser  British, Scottish, Silver plate, British, Birmingham
Christopher Dresser
Hukin & Heath
1879
Toast rack, Christopher Dresser  British, Scottish, Silver plate, British, Birmingham and London
Christopher Dresser
Hukin & Heath
1881
Tea urn, P. B., Paris, Silver plate, French, Paris
P. B., Paris
F.A. Thouret
1845
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Plate, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Italian (Venice)
late 17th or early 18th century
Plate, Colorless (slightly gray), opaque red-brown, and opaque white (slightly gray) nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Italian (Venice)
probably late 17th century
Plate, Colorless (slightly grayish tan) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Italian (Venice)
mid-17th–early 18th century
Plate, Tin-glazed earthenware, Spanish
Spanish
1470–1490
Plate, Silver gilt and translucent enamel, Portuguese
Portuguese
16th century
Plate, Tin-glazed earthenware (cuerda seca technique), Spanish
Spanish
late 1400s or early 1500s
Plate Warmer, Tin, American or British
American or British
1815–20
Plate, Lacy pressed glass
1840–50
Plate, Lacy pressed glass, American or British
American or British
1842–45
Plate, Porcelain, Chinese
Chinese
ca. 1786
Plate, Lacy pressed blue glass, American
American
1830–40
Plate, Lizzie M. Fairchild  American, Porcelain, overglaze enamel decoration, American
Lizzie M. Fairchild
1886
Plate, Lizzie M. Fairchild  American, Porcelain, American
Lizzie M. Fairchild
1886
Plate, Lacy pressed glass, American or British
American or British
1837–40
Plate, Earthenware; Redware, American
American
ca. 1840–60
Plate, Earthenware, gaudy dutch, British (American market)
British (American market)
ca. 1825
Plate, Challinor, Taylor and Company  American, Pressed opaque white glass, American
Challinor, Taylor and Company
1886–95
Plate, Challinor, Taylor and Company  American, Pressed opaque white glass, American
Challinor, Taylor and Company
1886–95
Plate, Lacy pressed glass, American or British
American or British
ca. 1837–40
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino  Italian, Maiolica (tin-glazed earthenware)
Nicola da Urbino
ca. 1520–25
Plate, Lacy pressed glass, American
American
1830–45
Plate, Lacy pressed glass, American
American
1830–45
Plate, Lacy pressed glass, American
American
1830–45
Plate, Lacy pressed glass, American
American
1830–45
Plate, Lacy pressed glass, American
American
1830–45