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1-42 of 203 results for saint-anthony
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Saint Anthony Abbot, Nikolaus von Hagenau  German, Walnut, German
Attributed to Nikolaus von Hagenau
ca. 1500
Saint Anthony of Padua, Maso di Banco  Italian, Tempera on wood, gold ground
Maso di Banco
ca. 1340
Staff with Saint Anthony of Padua, Kongo artist, Brass, wood, iron, Kongo peoples
Kongo artist
19th century
Pendant with Saint Anthony of Padua, Kongo artist, Partially hollow cast brass, Kongo peoples; Kongo Kingdom
Kongo artist
16th–19th century
Crucifix with Saint Anthony of Padua, Kongo artist, Brass, wood, lead-tin alloy sheet, plant fiber cord, Kongo
Kongo artist
16th–18th century (pendant figure); 19th century (cross)
Saint  Anthony, France , Provence (?) French, Tempera and liquid gold on parchment, French, probably Provence
France
ca. 1480–85
Saint Anthony of Padua, Pedro de Mena or Spanish, Wood (including black wood and ebony) and gesso, polychromed and gilded; Cross: inlaid with mother-of-pearl; Eyes: probably shell, Spanish
Possibly follower of Pedro de Mena
Possibly follower of Alonso Cano
late 17th–early 18th century
The Penitence of Saint Jerome, Joachim Patinir  Netherlandish, Oil on wood
Joachim Patinir
ca. 1515
Figure: Saint Anthony (Toni Malau), Ivory (hippopotamus incisor), Kongo peoples
Kongo peoples
18th century
Three Saints: Roch, Anthony Abbot, and Lucy, Cima da Conegliano (Giovanni Battista Cima)  Italian, Oil on canvas, transferred from wood
Cima da Conegliano (Giovanni Battista Cima)
ca. 1513
Saint Anthony of Padua, Gilt bronze, Spanish
Spanish
early 17th century
The Temptation of Saint Anthony, Herri met de Bles  Netherlandish, Oil on wood
Workshop of Herri met de Bles
ca. 1550–60
Saint Anthony of Padua, Gilt bronze, Spanish
Spanish
early 17th century
Pendant of Saint Anthony of Padua, Kongo artist, Brass, Kongo peoples
Kongo artist
ca. 17th–18th century
The Temptation of Saint Anthony, Pieter Huys  Netherlandish, Oil on oak
Attributed to Pieter Huys
Saint Bonaventure and Saint Anthony of Padua, Basilio Santa Cruz Pumacallao  Peruvian, Oil on canvas, Peru (Cuzco)
Follower of Basilio Santa Cruz Pumacallao
ca. 1670–90
Saint Anthony, Hieronymus (Jerome) Wierix  Netherlandish, Engraving
Multiple artists/makers
1564
Saint  Anthony, Anonymous, Italian, 19th century  Italian, Woodcut
Anonymous, Italian, 19th century
19th century (?)
Saint Anthony Reading, Albrecht Dürer  German, Engraving
Albrecht Dürer
1519
Saint Anthony Reading, Albrecht Dürer  German, Engraving
Albrecht Dürer
1519
Saints Bartholomew and Simon, Master of Saint Francis  Italian, Tempera on wood, gold ground
Master of Saint Francis
ca. 1272
Saint Anthony of Padua, Anonymous, Spanish, 17th century  Spanish, Black chalk with brush and brown wash over black chalk on off-white washed prepared paper; framing lines in pen and dark brown ink
Anonymous, Spanish, 17th century
17th century
Saint Anthony of Padua, Pedro  Duque Cornejo  Spanish, Black chalk on ivory paper; framing lines in black chalk
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
1700–50
Saint Anthony Reading (copy), Albrecht Dürer  German, Engraving
After Albrecht Dürer
n.d.
The Virgin Adored by Saints, Scarsellino (Ippolito Scarsella)  Italian, Oil on copper
Scarsellino (Ippolito Scarsella)
ca. 1609
Saint Anthony Tormented by Demons, Martin Schongauer  German, Engraving
Martin Schongauer
1470–74
Saint John and Saint Anthony, Master IQV  French, Etching
Master IQV
After Giulio Romano
After Albrecht Dürer
ca. 1542–45
Saint Anthony of Padua, Anonymous, Etching
Anonymous
After Guido Cagnacci
1650–1700
The Temptation of Saint Anthony, Anonymous, Italian, Roman-Bolognese, 17th century  Italian, Brush with brown and red watercolor over black chalk, touched with gouache on brown paper
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Saint Anthony Tormented by Demons, Master FVB  Netherlandish, Engraving; second state
Engraved by Master FVB
after Martin Schongauer
late 15th century
Saint Anthony Tormented by Demons, Martin Schongauer  German, Engraving; second state
Martin Schongauer
1470–74
The Temptation of St. Anthony, Figures of lampworked glass (opaque and translucent white, brown, yellowish brown, black, yellow, blue, light blue, turquoise blue, amethyst, green, pink, gray, tan, and colorless), composition material (plaster ?), glass mirror plate, wood, wire, shells, feathers, paper, paint. Assembled., probably French (Nevers)
probably French (Nevers)
18th century
Anonymous
Publisher Sadeler (unspecified member of the Sadeler family)
mid -16th–mid-17th century
Bell, Giovanni Battista de Maria, Bronze, Italian, Vicenza
Giovanni Battista de Maria
1693