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Satyr and Child, Marcantonio Raimondi Italian, Engraving
Satyr and Child
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1515–16
Marble statue of a young satyr turning to look at his tail, Marble, Roman
Marble statue of a young satyr turning to look at his tail
Roman
1st or 2nd century CE
The drunken Silenus, supported by a satyr and a faun, Schelte Adams à Bolswert Dutch, Engraving; second state of three
The drunken Silenus, supported by a satyr and a faun
Schelte Adams à Bolswert
After Peter Paul Rubens
1625–59
[Sculpture of a Satyr Playing the Cymbals, Called the Rondini Faun, The British Museum]
Stephen Thompson
1870s
Two satyrs and a faun seated to right watching two child satyrs and another satyr with an child on his shoulders dance to left, from "Six Animal Subjects" (Six Sujets d'Animaux), Stefano della Bella Italian, Etching
Two satyrs and a faun seated to right watching two child satyrs and another satyr with an child on his shoulders dance to left, from "Six Animal Subjects" (Six Sujets d'Animaux)
Stefano della Bella
ca. 1643–48
Basalt statuette of a boy satyr in the guise of Herakles
Roman
1st–2nd century CE
A Bacchanal: a satyr holds Silenus as he lies on a donkey's back and picks a leaf from a garland, two putti carry an amphora and a basket with grapes at left, and a faun carries a sack at right, Giovanni Battista Costantini Italian, Engraving
A Bacchanal: a satyr holds Silenus as he lies on a donkey's back and picks a leaf from a garland, two putti carry an amphora and a basket with grapes at left, and a faun carries a sack at right
Giovanni Battista Costantini
After Guido Reni
1619
A Faun or Satyr Preparing a Pig for Sacrifice, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
A Faun or Satyr Preparing a Pig for Sacrifice, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Two Figures, a Faun, and a Satyr approach a Recliniing Woman, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Two Figures, a Faun, and a Satyr approach a Recliniing Woman, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Seated satyr with a shell, Andrea Briosco, called Riccio Italian, Bronze, Italian
Seated satyr with a shell
Workshop of Andrea Briosco, called Riccio
after 1600
Satyr, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, with remains of dark brown lacquer, Italian, Mantua
Satyr
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1510–ca. 1520
Seated Faun, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Seated Faun
Manner of Andrea Briosco, called Riccio
ca. 1540–50
Satyr, Ivory, Flemish
Satyr
Flemish
17th century
Satyr with vase (one of a pair), Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Satyr with vase (one of a pair)
Andrea Briosco, called Riccio
ca. 1540–50
Seated satyr with silvered eyes, Andrea Briosco, called Riccio Italian, Bronze, silver inlay (eyes), Italian, Padua
Seated satyr with silvered eyes
Andrea Briosco, called Riccio
second quarter of the 16th century
Apollo and Marsyas, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Apollo and Marsyas
Manner of Andrea Briosco, called Riccio
19th–20th century
Satyr, Reuben Nakian American, Terracotta
Satyr
Reuben Nakian
ca. 1950
Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies), François Joullain French, Etching
Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
François Joullain
After Claude Gillot
ca. 1721
Bronze statuette of a satyr with an amphora, Bronze, Roman
Bronze statuette of a satyr with an amphora
Roman
1st century CE
Bronze statuette of a satyr, Bronze, Etruscan
Bronze statuette of a satyr
Etruscan
6th century BCE
Seated satyr with an inkwell and a candlestick, Bronze, Northern Italian
Seated satyr with an inkwell and a candlestick
Northern Italian
ca. 1530–40
Sitting Satyrs, G. King British, Etching and engraving
Sitting Satyrs
G. King
after 1732
Bacchanal: A Faun Teased by Children, Gian Lorenzo Bernini Italian, Marble, Italian, Rome
Bacchanal: A Faun Teased by Children
Gian Lorenzo Bernini
and Pietro Bernini
ca. 1616–17
Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina.
Satyr
Workshop of Desiderio da Firenze
Workshop of Severo Calzetta da Ravenna
ca. 1530
Satyr, Ivory, Flemish
Satyr
Flemish
17th century
Seated Satyr Holding a Garland, Giovanni Battista Tiepolo Italian, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk
Seated Satyr Holding a Garland
Giovanni Battista Tiepolo
1696–1770
Satyr Father and Son, Joseph-Charles Marin French, Bronze, French
Satyr Father and Son
After a composition by Joseph-Charles Marin
18th–19th century
Satyr, Gilt bronze, Northern Italian
Satyr
Northern Italian
16th–17th century
Satyr, Bronze, European
Satyr
European
16th–17th century
Head of a satyr for attachment to a jug, Faience
Head of a satyr for attachment to a jug
246–222 BCE
Satyr Holding a Vessel, Andrea Briosco, called Riccio Italian, Brass, probably Flemish
Satyr Holding a Vessel
Imitator of Andrea Briosco, called Riccio
early 17th century
Bronze attachment with satyr head, Bronze, Etruscan
Bronze attachment with satyr head
Etruscan
late 6th century BCE
Bronze satyr, Bronze, Greek
Bronze satyr
Greek
late 5th–4th century BCE
Satyr, Villeroy French, Soft-paste porcelain, French, Villeroy
Satyr
Factory Villeroy
ca. 1740
Laughing Satyr, Roger Fenton British, Salted paper print from glass negative
Laughing Satyr
Roger Fenton
1854–58
Seated Satyr Holding a Garland, Giovanni Battista Tiepolo Italian, Pen and dark brown ink, brush with pale and dark brown wash, over leadpoint or black chalk
Seated Satyr Holding a Garland
Giovanni Battista Tiepolo
1696–1770
Head of a Satyr, Antoine Watteau French, Black and red chalk, heightened with yellow chalk with traces of white chalk on brown paper
Head of a Satyr
Circle of Antoine Watteau
n.d.
Bronze statuette of a satyr with a torch and wineskin, Bronze, Greek
Bronze statuette of a satyr with a torch and wineskin
Greek
3rd–2nd century BCE
Bronze statuette of a reclining satyr, Bronze, Etruscan
Bronze statuette of a reclining satyr
Etruscan
late 6th century BCE
Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae"
Anonymous
After Philippe Thomassin
Publisher Antonio Lafreri
16th century
Satyr Leading Goat on which a Infant Rides, from "Ex Antiquis Cameorum et Gemmae Delineata", Anonymous, Italian, 16th century Italian, Engraving; third state
Satyr Leading Goat on which a Infant Rides, from "Ex Antiquis Cameorum et Gemmae Delineata"
Multiple artists/makers
published ca. 1599–1622
Serge Lifar in "Afternoon of the Faun", George Platt Lynes American, Gelatin silver print
Serge Lifar in "Afternoon of the Faun"
George Platt Lynes
early 1930s

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