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Tabernacle, Gilded copper with champlevé enamel, French
French
ca. 1200–1210
Tabernacle of Cherves, Champlevé enamel on gilded copper, French
French
ca. 1220–1230
Tabernacle frame, Poplar, mother of pearl, marble, Italian, Venice
Italian, Venice
early 17th century
Tabernacle frame, Spruce. Gilt; orange bole., Florentine
Florentine
ca. 1406
Tabernacle frame, Pine. Gold-orange bole., Italian, Siena
Italian, Siena
second quarter 14th century
Part of a tabernacle frame, Poplar. Yellow bole, red and blue color., Flemish, Antwerp (?)
Flemish, Antwerp (?)
late 16th century
Tabernacle Frame, Poplar and walnut, Italian, Tuscan
Italian, Tuscan
style 16th century, made ca. 1920
Tabernacle frame, Walnut, Spanish
Spanish
16th century
Tabernacle frame, Pine, Spanish, Burgos
Spanish, Burgos
late 19th century, style late 15th century
Tabernacle frame, Pine and poplar, Italian, Venice
Italian, Venice
early 16th century
Tabernacle Door, Iron, Spanish
Spanish
15th century
Tabernacle frame, Pine, Italian, Venice
Italian, Venice
early 16th century
Tabernacle frame, Pine back frame and carcass with applied sawn ebony veneer and scraped moldings. Columns: tortoiseshell veneer with hollow bronze capitals and bases., Austrian, Salzburg
Austrian, Salzburg
early 17th century
Tabernacle frame, Walnut, Italian, Tuscan
Italian, Tuscan
style late 16th century, made 19th century
Tabernacle frame, Poplar, mother of pearl, marble, Italian, Venice
Italian, Venice
early 17th century
Tabernacle frame, Poplar, Italian, Lombardy(?)
Italian, Lombardy(?)
ca. 1640
Tabernacle frame, Poplar back frame with walnut upper moldings., Italian, Tuscany
Italian, Tuscany
ca. 1860, style 16th century
Tabernacle frame, Poplar, Italian, Tuscany
Italian, Tuscany
ca. 1485
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
possibly del Tasso
ca. 1530
Design for a Tabernacle, Pierre Puget  French, Pen and brown ink, brush and brown wash, heightened with white, over graphite; framing lines in pen and brown ink
Pierre Puget
ca. 1650–60
Tabernacle frame, Poplar with pine rebate., Italian, Verona
Italian, Verona
1540–50
Tabernacle frame, Walnut, Italian, Tuscan
Italian, Tuscan
style 16th century, made ca. 1920
Tabernacle frame, Carved, gilt and painted poplar, Italian, Marches
Italian, Marches
early 17th century
Tabernacle with Crucifixion Scene, Wood (poplar and oak), paint and gilding, North Italian
North Italian
mid or third quarter 14th century
Tabernacle, Grey limestone, partially gilt and polychromed, iron, Central Italian
Central Italian
late 15th century
Tabernacle frame, Carved, gilt and painted poplar, Italian, Marches
Italian, Marches
early 17th century
Tabernacle frame, Pine, Italian, Venice
Italian, Venice
early 16th century
Reliquary with tabernacle frame, Poplar half-lapped back frame with applied ebony veneer and moldings., Austrian, Salzburg (?)
Austrian, Salzburg (?)
1605–10
Design for a Tabernacle, Anonymous, French, 18th century  French, Pen and black ink, pen and gray ink, brush and black wash, brush and gray wash
Anonymous, French, 18th century
18th century
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
Engaged arched cassetta frame and arched tabernacle frame, Poplar. Carved, gilt; orange-red bole, blue and white color, all over greenish tone., Sienese
Sienese
ca. 1465 and 1490 (?)
Chandelier with tabernacle (Kapellenkrone), F. Ring Foundry , Munich, Brass, German, Munich
German, cast in F. Ring Foundry
ca. 1875 after a dinanderie model from the Southern Netherlands, ca. 1450
Design for a Tabernacle, plate 1 from "Tabernacle", Franz Xavier Habermann  German, Etching
Franz Xavier Habermann
Publisher Martin Engelbrecht
printed ca. 1750–56
Diptych with tabernacle frames, Poplar. Carved, gilt; red-orange bole., Sienese
Sienese
ca. 1400–1410
Central Portion of a Tabernacle, Elephant ivory, French
French
ca. 1275–1300
Tabernacle door with the risen Christ, Pietro Paolo Nardi, Bronze, fire-gilt; iron (lock mechanism), Italian, Florence or Rome
Founder Cast by Pietro Paolo Nardi
mid-17th century
Design for a Tabernacle, plate 3 from "Tabernacle", Franz Xavier Habermann  German, Etching
Franz Xavier Habermann
Publisher Martin Engelbrecht
printed ca. 1750–56
Tabernacle Door, Iron, European
European
15th–16th century
Design for a Tabernacle, plate 2 from "Tabernacle", Franz Xavier Habermann  German, Etching
Franz Xavier Habermann
Publisher Martin Engelbrecht
printed ca. 1750–56
Architecturally-Shaped Tabernacle with a Saint and Four Putti, Anonymous , French, 16th century, Etching with gray wash
Anonymous
Previously attributed to Jacques Androuet Du Cerceau
ca. 1530–49
Architectural Fragment from a Retable, Tabernacle, or Tomb, Marble, French
French
ca. 1400
Architectural Fragment from a Retable, Tabernacle, or Tomb, Marble, French
French
ca. 1400

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