Ten marble fragments of the Great Eleusinian Relief

ca. 27 BCE–14 CE
On view at The Met Fifth Avenue in Gallery 153
National Museum, Athens. The ten fragments have been set into a cast of the original relief.

Demeter, the goddess of agricultural abundance, stands at the left, clad in a peplos and himation (cloak) and holding a scepter. At the right is Persephone, her daughter and the wife of Hades, the god of the underworld. She is dressed in a chiton and himation. Each goddess extends her right hand toward a nude youth, but it is no longer possible to determine what they held. The boy is thought to be Triptolemos, who was sent by Demeter to teach men how to cultivate grain. On contemporary Athenian vases, he is usually shown as a bearded adult seated in a winged chariot about to set out on his civilizing mission. The original marble relief was found at the sanctuary of Demeter at Eleusis, the site of the Eleusinian mysteries, a secret cult that was famous throughout antiquity.
The original Greek work and a number of Roman copies survive. Here the ten Roman fragments are embedded in a cast of the Greek relief. Compared to the original, the execution of the hair and drapery in the copy is sharper and accords with the style current in Augustan art.

Artwork Details

Object Information
  • Title: Ten marble fragments of the Great Eleusinian Relief
  • Period: Early Imperial, Augustan
  • Date: ca. 27 BCE–14 CE
  • Culture: Roman
  • Medium: Marble
  • Dimensions: H. 89 3/8 in. (227 cm)
  • Classification: Stone Sculpture
  • Credit Line: Rogers Fund, 1914
  • Object Number: 14.130.9
  • Curatorial Department: Greek and Roman Art

Audio

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1033. Ten marble fragments of the Great Eleusinian Relief

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On either side of this relief are the goddesses Demeter and Persephone. They look down at a nude boy between them, the hero Triptolemos. Demeter, on the left, was the goddess of agriculture, and her daughter Persephone, on the right, was queen of the underworld. Persephone spent part of each year in the underworld with her husband Hades, and the rest with her mother above earth.

Demeter wears a peplos, a woolen garment with thick folds like the flutes of a column. In her left hand she holds a scepter and in her right were the sacred ears of corn, probably made of gold. The goddess is giving them to Triptolemos, so that he can teach mankind the art of cultivating corn. Persephone is wearing a chiton, a fine linen dress and a himation, a cloak. She holds a long torch in one hand and blesses the boy with the other.

This relief is a Roman copy of a Greek work made in the fifth century B.C. Numerous copies of Greek sculpture were made in Roman times but few of the Greek originals survive. This relief is exceptional: it is one of the largest surviving ancient reliefs and reproduces a Greek work that still exists. The original stood at Eleusis, the center of an ancient mystery cult that housed the great sanctuary of Demeter and Persephone. A procession from Athens made its way there every year, bringing people eager to be initiated into the mysteries. All had to promise to keep the details of the cult secret, so we know very little of what happened there. Demeter provided grain for mankind, and the rites at Eleusis must have celebrated her gift.

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