MetPublications

The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum’s collection.

The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum’s collection.

The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum’s collection.

In the late nineteenth and early twentieth centuries, budding discourse on what it meant to be “modern” prompted artists to develop work that felt both relevant and responsive to contemporary life. This richly illustrated edition of the Bulletin explores the visual, conceptual, and technical experimentations of European ceramicists as they attempted to define a global language of modernism in stark contrast to earlier appeals to historical styles. Authors Sarah E. Lawrence and Jeffrey Munger illuminate the broad range of technical and creative influences—including Asian ceramic traditions, European design movements, and nature—that inform the more than fifty works included in this volume, part of a remarkable gift by collector Martin Eidelberg. Professor Eidelberg contributes an essay on the proliferation of natural imagery in the aesthetics of the period. A fascinating and focused exploration of design history, Making it Modern offers a closer look at dozens of astonishingly creative ceramics and reflects on how the aspiration to create works that link the past to a vibrant future has continued resonance today.

A new history of porcelain that explores the cultural myths of Chinoiserie, Europe's fantasy of the East.

The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum’s collection.

The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum’s collection. Highlights of volume 58 include an investigation of how boldly colored orange glass and enamels were produced at Qing imperial workshops; a rare portrait of Joanna de Silva, an Indian servant, by British artist William Wood in 1792; and the extraordinary discovery of a hoard of German silver cups and tankards hidden for more than two hundred years.

Spanning three centuries of creativity, this volume in The Met’s How to Read series provides a peek into daily lives across Europe—from England, Spain, and France to Germany, Denmark, and Russia—through 40 exemplary objects. The featured furniture, tableware, utilitarian items, articles of personal adornment, devotional objects, and display pieces cover many aspects of European society and lifestyles, from the modest to the fabulously wealthy. The book considers the contributions of renowned masters, such as the Dutch cabinetmaker Jan van Mekeren and the Italian goldsmith Andrea Boucheron, as well as talented amateurs, among them the anonymous young Englishwoman who embroidered an enchanting chest with scenes from the Story of Esther. The works selected include both masterpieces and less familiar examples, some of them previously unpublished, and are discussed not only in light of their art-historical importance but also with regard to the social issues relevant to each, such as the impact of colonial slavery or the changing status of women artists.

The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum’s collection. Highlights of volume 57 include essays on a crimson velvet “cloth of gold” associated with the Tudor dynasty; an exquisite pair of malachite torchères commissioned by the Russian Demidov family; and a drawing on muslin by Matȟó Nážiŋ detailing the Battle of the Little Bighorn in 1876.