Oriental Masterprint – 18, from the series Oriental Masterprints

Roger Shimomura American

Not on view

Shimomura employs crisscross latticework (seen in several other prints in the Oriental Masterprints series) as a pictorial device to evoke the setting of the Yoshiwara red-light district, where courtesans, seated behind similar barriers, awaited their clients. Here, a courtesan, identifiable by her array of hairpins, is being embraced by a male client. In this print and throughout the series, the artist intended to make the viewer aware of, and grapple with, stereotypes of “Oriental” art.

Oriental Masterprint – 18, from the series Oriental Masterprints, Roger Shimomura (American, born Seattle 1939), Color screen print on wove paper, Japan

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.