How to Read Chinese Ceramics

Leidy, Denise Patry
2015
144 pages
180 illustrations
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Among the most revered and beloved artworks in China are ceramics—sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere.

Spanning five millennia, the Metropolitan Museum’s collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era. As with previous books in the How to Read series, How to Read Chinese Ceramics elucidates the works to encourage deeper understanding and appreciation of the meaning of individual pieces and the culture in which they were created.

From exquisite jars, bowls, bottles, and dishes to the elegantly sculpted Chan Patriarch Bodhidharma and the gorgeous Vase with Flowers of the Four Seasons, How to Read Chinese Ceramics is a captivating introduction to one of the greatest artistic traditions in Asian culture.

Met Art in Publication

Plate with fish, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), China
mid-14th century
Ewer from Burghley House, Lincolnshire, Hard-paste porcelain, gilded silver, British, London mounts and Chinese porcelain
Chinese porcelain 1573– ca. 1585, British mounts ca. 1585
Mold for a Bowl, Stoneware with carved decoration (probably Yaozhou ware), China
11th–12th century
Wine container (zun), Bronze inlaid with black pigment, China
13th century BCE
Vase with flowers and birds (one of a pair), Meissen Manufactory  German, Hard-paste porcelain painted with colored enamels under transparent glaze, German, Meissen
Meissen Manufactory
1733
Cabinet on stand, Jan van Mekeren  Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam
Jan van Mekeren
ca. 1700–1710
Incense burner (koro), Hard-paste porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Kakiemon type), Japanese, for European market
late 17th century
Covered bowl with figures in landscape, Vienna, Hard-paste porcelain painted with colored enamels over transparent glaze, Austrian, Vienna
Vienna
ca. 1725
Monteith, Hard-paste porcelain, Chinese, for British market
ca. 1715–20
Jar (Hu), Earthenware with painted decoration, China
ca. 2650–2350 BCE
Jar (Guan), Earthenware with pigment, China
Machang phase, ca. 2350–2050 BCE
Covered Jar (Hu), Earthenware with painted decoration, China
1st century BCE
Wine container (hu)

, Bronze inlaid with copper, China
early 5th century BCE
Female Dancer, Earthenware with slip and pigment, China
2nd century BCE
Tomb Guardian (Zhenmushou), Earthenware with pigment, China
mid-to-late 6th century
Tomb Guardian Beast, Earthenware with pigment, China
Tomb guardian beast (Zhenmushou), Earthenware with  pigment and three-color (sancai) glaze, China
late 7th century
Standing court lady, Earthenware with pigment, China
7th–8th century
Court lady, Earthenware with remains of white slip and pigment, China
8th century
Bowl, Porcelain with white glaze, China
7th century
Showing 20 of 103

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Leidy, Denise Patry. 2015. How to Read Chinese Ceramics. How to Read 5. New York: The Metropolitan Museum Of Art.