John Smith. "Supplement." A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters. 9, London, 1842, p. 247, no. 16, calls it the original study for the canvas formerly in the Kaiser Friedrich Museum, Berlin, and states that it "was in the hands of a printseller for sale, 1834" for 50 guineas, probably this picture.
Beschreibendes Verzeichnis der Gemälde im Kaiser-Friedrich-Museum und Deutschen Museum. 9th ed. Berlin, 1931, p. 406, under no. 762, as in the Thayer collection, New York; gives earlier provenance information.
F[rancis]. H[enry]. T[aylor]. "Rubens' Sketch for the Coronation of the Virgin." Bulletin of the Worcester Art Museum 22 (January 1932), pp. 72–75, ill., describes it as a study for paintings in the Kaiser Friedrich Museum, Berlin, and the Musées Royaux des Beaux-Arts de Belgique, Brussels; cites Refs. Glück 1921 and Frimmel 1921.
A Guide to the Collections of the Worcester Art Museum. Worcester, Mass., 1933, p. 82, ill. p. 79.
Wilhelm R. Valentiner. An Exhibition of Sixty Paintings and Some Drawings by Peter Paul Rubens. Exh. cat., Detroit Institute of Arts. Detroit, 1936, unpaginated, no. 53, dates it about 1630–33, and states that it is very likely the sketch that was in the Harris collection in 1835 and in the Van der Schrieck sale in Liège [sic for Louvain?] in 1861.
Art in New England: Paintings, Drawings, Prints from Private Collections in New England. Exh. cat., Museum of Fine Arts, Boston. Cambridge, Mass., 1939, pp. 78–79, no. 118, pl. 67, states that it is not likely to be the picture in the Van der Schrieck sale of 1861, as suggested Frimmel [see Ref. 1921].
Jan-Albert Goris and Julius S. Held. Rubens in America. New York, 1947, p. 34, no. 54, pl. 53, describe it as a study, dating from the early 1630s, for the painting in Berlin; at the suggestion of Cott, and contrary to the opinions of Frimmel [see Ref. 1921] and Taylor [see Ref. 1932], disagree with the Van der Schrieck provenance and state that it was probably not cut down.
Art through Fifty Centuries from the Collections of the Worcester Art Museum. Worcester, Mass., 1948, p. 59, fig. 79, as a study or sketch for the canvas in Berlin, painted between 1630 and 1633.
Erik Larsen. P. P. Rubens. Antwerp, 1952, p. 219, no. 97, dates it about 1632–34.
John Rupert Martin. "The Ceiling Paintings for the Jesuit Church in Antwerp." Corpus Rubenianum Ludwig Burchard. part 1, London, 1968, p. 118, under no. 18.
Julius S. Held. The Oil Sketches of Peter Paul Rubens. Princeton, 1980, vol. 1, pp. 53, 517–18, no. 381; vol. 2, pl. 372, dates it about 1632–33.
Walter A. Liedtke. "Flemish Paintings in The Metropolitan Museum—I: Rubens." Tableau 6 (November/December 1983), pp. 85, 87–88 n. 29.
Walter A. Liedtke. Flemish Paintings in The Metropolitan Museum of Art. New York, 1984, vol. 1, pp. 192–94; vol. 2, pl. 74.
Walter Liedtke in The Metropolitan Museum of Art: Notable Acquisitions, 1984–1985. New York, 1985, p. 22, ill.
Michael Jaffé. Rubens: catalogo completo. Milan, 1989, p. 329, no. 1056, ill., dates it 1630–33.
Walter Liedtke. "Toward a New Edition of Flemish Paintings in the Metropolitan Museum of Art." Munuscula Amicorum: Contributions on Rubens and His Colleagues in Honour of Hans Vlieghe. 2, Turnhout, Belgium, 2006, p. 676.
Tine Meganck et al. in Rubens: A Genius at Work. Exh. cat., Royal Museums of Fine Arts of Belgium, Brussels. Tielt, Belgium, 2007, pp. 169, 173–74, no. 49, ill. (color).