This stirrup bears on the rim of its footplate the name of its original owner, a certain Jacob Clas. This elaborated type of pierced decoration, here displaying geometrical motifs, is typical of the production of Eastern Germany at this time. The object is stamped on both sides with the control mark of Munich: a monk with upraised arms, the city’s heraldic device. Cities’ control marks are rare on iron equestrian equipment, and Munich seems to be the only one in the 17th century to require this practice, which is also documented on several contemporary horse bits (see for example 14.25.1812).
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Overall
Overall; Left 42.50.433; Right 42.50.423
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Artwork Details
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Title:Stirrup
Date:second half 17th century
Geography:Munich
Culture:German, Munich
Medium:Iron alloy, tin
Dimensions:H. 8 3/4 in. (22.2 cm); W. 5 1/4 in. (13.3 cm); D. 3 1/2 in. (8.9 cm); Wt. 13.6 oz. (385.6 g)
Classification:Equestrian Equipment-Stirrups
Credit Line:Gift of Stephen V. Grancsay, 1942
Accession Number:42.50.423
Inscription: On one side of the footplate rim: IACOB CLAS
Marking: On each branch: a monk with upraised arms (mark of the city of Munich)
Clarence H. Mackay, Roslyn, NY (until d. 1938; his estate, sold through Seligmann & Co. to Grancsay); Stephen V. Grancsay, New York (by January 14, 1941–42; his gift to MMA).
Louisville, Ky. Speed Art Museum. "A Loan Exhibition of Equestrian Equipment from the Metropolitan Museum of Art," May 4–July 3, 1955, no. 148.
Allentown. Allentown Art Museum. "Arms and Armor: A Loan Exhibition from the Collection of Stephen V. Grancsay: with Important Contributions by The Metropolitan Museum of Art, New York, and the John Woodman Higgins Armory, Worcester, Massachusetts," March 15–June 14, 1964, no. 26.
Seattle, Wash. Seattle Art Museum. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," March 11, 1982–June 6, 1982, no. 35.
Denver, Colo. Denver Art Museum. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," July 18–October 10, 1982, no. 35.
San Antonio, Tex. Witte Museum of the San Antonio Museum Association. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," November 13, 1982–February 5, 1983, no. 35.
Minneapolis, Minn. Minneapolis Institute of Arts. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," May 24–July 31, 1983, no. 35.
San Francisco. Fine Arts Museums of San Francisco. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," November 5, 1983–January 28, 1984, no. 35.
Detroit, Mich. Detroit Institute of Arts. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," April 4–June 17, 1984, no. 35.
Zschille, Louis Moritz Richard, and Robert Forrer. Die Steigbügel in ihrer Formen–Entwicklung: Characterisirung und Datirung der Steigbügel unserer Culturvölker. Berlin: Paul Bette Verlag, 1896. pl. XIII, no. 2.
Grancsay, Stephen V. A Loan Exhibition of Equestrian Equipment from the Metropolitan Museum of Art: Catalogue. Louisville, Ky.: Speed Art Museum, 1955. no. 148, ill.
Allentown Art Museum, The Metropolitan Museum of Art, and John Woodman Higgins Armory. Arms and Armor: A Loan Exhibition from the Collection of Stephen V. Grancsay: with Important Contributions by the Metropolitan Museum of Art, New York, and the John Woodman Higgins Armory, Worcester, Massachusetts: March 15–June 14, 1964. Allentown, Pa.: Allentown Art Museum, March 15, 1964–June 14, 1964. no. 26, ill.
Metropolitan Museum of Art, Helmut Nickel, Stuart W. Pyhrr, Leonid Tarassuk, and American Federation of Arts. The Art of Chivalry: European Arms and Armor from the Metropolitan Museum of Art: An Exhibition. New York: The Federation, 1982. p. 77, no. 35, ill.
Johann Andreas Kuchenreuter (German, Regensburg, 1716–1795)
ca. 1760–70
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