Returned to lender The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.
The Woman Driver
Pierre Dubreuil French
Not on view
Like many other European and American photographers, Pierre Dubreuil was indifferent to the industrialization of photography that followed the invention and immediate global success of the Kodak camera in the late 1880s. A wealthy member of an international community of photographers loosely known as Pictorialists, he spurned most aspects of modernism. Instead, he advocated painterly effects such as those offered by the bromoil printing process seen here. What makes this photograph exceptional, however, is the modern subject and the work’s title, The Woman Driver. Dubreuil’s wife, Josephine Vanassche, grasps the steering wheel of their open-air car and stares straight ahead, ignoring the attention of her conservative husband and his intrusive camera.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
