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Courbet

The exhibition is made possible by The Philip and Janice Levin Foundation and the Janice H. Levin Fund.

Education programs are made possible by The Georges Lurcy Charitable and Educational Trust.

The exhibition was organized by The Metropolitan Museum of Art, New York, the Réunion des Musées Nationaux and the Musée d'Orsay, Paris, and the Communauté d'agglomération de Montpellier/Musée Fabre, Montpellier.

The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

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Gustave Courbet

Program information

Curator Gary Tinterow visits the New York studio of the painter John Currin to discuss the special exhibition Gustave Courbet.

Gustave Courbet

February 27–May 18, 2008

Accompanied by a catalogue

This is the first full retrospective of the French artist Gustave Courbet (1819–1877) in thirty years, presenting some 130 works by this pioneering figure in the history of modernism, from his seminal manifesto paintings of the 1850s to the views of his native Ornans and portraits of his friends and family. The exhibition also includes a selection of nineteenth-century photographs that relate to Courbet's work, especially his landscapes and nudes. The works are drawn from public and private collections in the United States and abroad.

Gustave Courbet (1819–1877), the self-proclaimed "proudest and most arrogant man in France," created a sensation at the Salon of 1850–51 when he exhibited a group of paintings set in his native Ornans, a village in eastern France. These works challenged convention by rendering scenes from daily life in an emphatically realistic style and on the large scale previously reserved for history painting.

Courbet's career was punctuated by a succession of scandals, which were usually cultivated by the artist and always welcomed. After a public fight with the all-powerful superintendent of fine arts, Comte Nieuwerkerke, several of his works were refused display in the great Salon and Universal Exposition of 1855. Courbet countered with his own Pavilion of Realism, audaciously built within sight of the official Salon, where he exhibited, among other works, a monumental canvas, The Painter's Studio (Musée d'Orsay, Paris). The accompanying exhibition catalogue included his "Realist Manifesto," in which he declared his aim "to be in a position to translate the customs, the ideas, the appearance of my epoch, according to my own estimation." The press had a field day, and Courbet immediately became the most controversial artist in France.

A new generation of painters, among them Manet, Monet, Fantin-Latour, Degas, and Whistler, were drawn to Courbet's outsize personality and his realism. As a painter of landscapes, he developed a radical vision, expressed in tightly focused views of his native Franche-Comté as well as his "landscapes of the sea," which profoundly influenced the next generation of artists, especially Cézanne.

In 1870, he rejected the coveted award of the Legion of Honor, proclaiming his freedom and independence from any form of government. His involvement with the short-lived, socialist government, the Paris Commune of 1871, led to imprisonment and, ultimately, self-imposed exile in Switzerland, where he died in 1877. Through his powerful and idiosyncratic realism and his courtship of the press and controversy, Courbet became a pioneering figure in the history of modern art. His paintings, which moved Picasso, Derain, Dalí, and Balthus, still resonate among contemporary artists.