African Art, New York, and the Avant-Garde
November 27, 2012–September 2, 2013
Accompanied by a publication
This exhibition highlights the specific African artifacts acquired by the New York avant-garde and its most influential patrons during the 1910s and 1920s. Reflecting on the dynamism of New York's art scene during the years that followed the 1913 Armory Show, the exhibition brings together African works from the collections of many key individuals of the period such as Alfred Stieglitz, Marius de Zayas, John Quinn, Louise and Walter Arensberg, Alain LeRoy Locke, and Eugene and Agnes Meyer.
Featuring the Metropolitan's own holdings as well as loans from public and private collections, the exhibition includes some forty wood sculptures from West and Central Africa presented alongside photographs, sculptures, and paintings by Alfred Stieglitz, Charles Sheeler, Pablo Picasso, Francis Picabia, Diego Rivera, and Constantin Brancusi. Together, these works of art from Africa and the Western avant-garde evoke the original context in which they were first experienced simultaneously almost a century ago.