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Man’s Informal Robe with the Thirty-six Poetic Immortals

Japan

Not on view

Representations of the Thirty-Six Poetic Immortals harken back to a literary canon established by the courtier Fujiwara no Kintō (966–1041). When portrayed in the handscroll format, individual poets—in distinctive poses, and with recognizable attributes—are separated from one another by inscriptions of their poems. In contrast, Rinpa artists gathered these isolated, iconic luminaries into a single scene, a convention followed in this informal man’s robe. The visually complex composition was produced through a dyeing process that initially involved using a stencil through which a rice-paste resist was applied, creating thin white outlines around most figures. Colors were then added to accentuate the presence of five poets in particular—notably, one of five female poets, who occupies a prominent position at the upper center of the back of the garment. Her figure, however, is slightly obscured by the men that surround her.

Man’s Informal Robe with the Thirty-six Poetic Immortals, Silk, stenciled and paste-resist dyed, Japan

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