Following the example of Raphael, Parmigianino had a great interest in using prints to multiply his designs and make his inventions more widely known. In Rome, he produced drawings for Giovanni Jacopo Caraglio (Italian, ca. 1500/1505–1565) to translate into engravings, while in Bologna he may have drawn directly on the woodblocks carved by Antonio da Trento (Italian, active 1520s–30s) to produce chiaroscuro woodcuts. Parmigianino's involvement in printmaking went even further when, sometime in the mid-1520s, he took up the etching needle himself to experiment with this novel technique. Parmigianino was the first Italian to exploit the capacity of etching, in which lines are freely scratched through a waxy ground, to directly translate the draftsman's manner. He produced no more than fifteen etchings, yet his example was to inspire the future development of a distinctly Italian printmaking tradition. One of Parmigianino's most beautiful prints, The Lovers demonstrates the artist's sensitivity to landscape, as well as his characteristically graceful and elongated figure types.

Open full-size image