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Meet the Staff

Headshot of Janina Poskrobko

Janina Poskrobko

Conservator in Charge

Janina Poskrobko has an M.A. in Preservation and Conservation of Cultural Heritage with a major in Conservation Management, from Nicolaus Copernicus University in Toruń, Poland (1986) and an M.A. in Textile and Costume Conservation from the Museum Studies program at New York's Fashion Institute of Technology (1997). She completed her PhD at Nicolaus Copernicus University,  Toruń, Poland in 2019. Her research of cross-cultural, artistic and technical aspects of 16th-18th century Eastern textiles including Persian, Turkish-Armenian and Polish silk sashes has appeared in numerous articles.

Selected Publications:

Headshot of Cristina Carr

Cristina Balloffet Carr

Conservator

Cristina Balloffet Carr received a BA in the History of Art and Architecture from Barnard College in New York City and joined the Department of Textile Conservation in 1979. She has worked with textiles belonging to most of the curatorial departments, was liaison conservator for the European Sculpture and Decorative Arts Department from 2005–2017, and is currently the liaison conservator for the Robert Lehman Collection.

Carr is the originator and editor of the Department of Textile Conservation Newsletter and initiated the department's popular Pinterest.

Selected Publications:

  • Carr, Cristina Balloffet. "The Close Examination of Textiles." ICOM-CC Textile Working Group Newsletter35 (January 2014): 19–20.
  • –––. "The Materials and Techniques of English Embroidery of the Late Tudor and Stuart Eras." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. Accessed March 21, 2013.
  • –––. "Materials and Techniques of Secular Embroideries." In English Embroidery from the Metropolitan Museum of Art, 1580–1700: 'Twixt Art and Nature, edited by Andrew Morrall and Melinda Watt, 99–106. New Haven and London: Yale University Press, 2008.
Headshot of Kathrin Colburn

Kathrin Colburn

Conservator

Kathrin Colburn is responsible for the textiles and tapestries held by the Department of Medieval Art and The Cloisters, as well as The Met's holdings of late antique textiles. She received her training at the Abegg-Stiftung in Switzerland and began working at The Met in 1990 after serving as a conservator at the Cleveland Museum of Art. Kathrin's research includes the conservation and technological aspects of medieval textiles and tapestries, as well as late antique and early medieval textiles from Egypt. Kathrin recently contributed technical entries to a digital catalogue of textiles in the Byzantine Collection at Dumbarton Oaks, a collaborative project that drew together an international group of textile specialists. Her contributions were also an integral part of exhibitions such as Woven Interiors: Furnishing Early Medieval Egypt (2019-20), Designing Identity: The Power of Textiles in Late Antiquity (2016), and New Discoveries: Early Liturgical Textiles from Egypt, 200–400 (2015).

Selected Publications:

  • Kathrin Colburn. "Loops, Tabs, and Reinforced Edges: Evidence for Textiles as Architectural Elements," Dumbarton Oaks Papers 73 (2019), 187– 216.
  • –––. "A Closer Look at Textiles from the Collection of the Metropolitan Museum of Art: Materials and Techniques." In Designing Identity: The Power of Textiles in Late Antiquity, edited by Thelma K. Thomas, 126–141. New York: The Institute for the Study of the Ancient World at New York University and Princeton University Press, 2016.
  • –––. "Three Fragments of the Mystic Capture of the Unicorn Tapestry." In Metropolitan Museum Journal 45 (2010): 97–106.
Headshot of Martina Ferrari

Martina Ferrari

Associate Conservator

Martina Ferrari joined The Department of Textile Conservation in May 2022. She received her BA in Art History from the Universita’ degli Studi di Parma and an MA in Restoration and Conservation of Cultural Heritage at the Universita’ degli Studi di Torino with a focus on archaeological textiles. Martina was the Andrew W. Mellon Foundation Conservation Fellow in the Department of Textile Conservation at The Metropolitan Museum of Art from 2018 to 2020. From 2015 to 2018, she was a Mellon Fellow in Costumes and Textile Conservation at the Philadelphia Museum of Art.

Selected Publications:

  • Ferrari, Martina; Holod, Renata. “A New Digital Approach in Textiles Documentation: Investigating Safavid Velvets in the Collection of The University of Pennsylvania Museum of Archaeology and Anthropology”. In: Young Professionals Forum Proceedings. Pp. 137-149, CCR - Centro Conservazione e Restauro La Venaria Reale, University of Turin, Italy, 2020. 
  • ---, Reiter, Sara; Morris, Bernice and Duffy, Kate. “Philadelphia’s Opulent Embroidery: The Study of a needlework painted picture of the Philadelphia Museum of Art Collection”. In Preprints of the 11th North American Textile Conservation Conference (NATCC), México City, November 6th – 11th, 2017, edited by Howard Sutcliffe and Joel Thompson, pp. 210 – 224. Mexico City: Escuela Nacional de Conservación, Restauración y Museografía “Manuel del Castillo Negrete” (ENCRyM), INAH, and Secretaría de Cultura, 2017. 
  • ---, Liccioli, Lucia; Fedi, Maria Elena and Gallo, Paolo. “A ‘Coptic’ tunic of the Egyptian Museum of Turin: Stylistic Attributions and Accelerator Mass Spectrometry Radiocarbon Dating”. In Postprints of the Art & Archaeology: Techniques, Measurements and Materials, 2nd International Conference. Jerusalem, Israel. December 11-14, 2016. 

Headshot of Minsun Hwang

Minsun Hwang

Conservator

Minsun Hwang has worked at the museum since 2002. She is responsible for Chinese textiles and costumes and Korean textiles from the Department of Asian Art in the Museum's textile collection. Minsun earned her M.A. in Museum Studies: Costume and Textile Conservation at the Fashion Institute of Technology in New York.

Her particular interest is in the production of hemp, ramie, and silk in China, Korea, and Japan, most of which were funded by travel grants and the Asian Cultural Council (Nobuko Kajitani Fellowship recipient).

Selected Publications:

Kristine Kamiya

Conservator

Kristine Kamiya joined the department in 2004. She works with the costume and textiles in the Department of Asian Art's Japanese and South & Southeast Asian collections as well as textiles including three-dimensional textile art in the collection of the Department of Modern & Contemporary Art.

She has a special interest in the microscopy and identification of fibers (natural & synthetic) and co-curated with two departmental colleagues exhibitions on plant and animal fibers. The Department's Collection of Reference Materials of Specimen Dyes, Fibers and Implements is an essential part of our analytical research, of which she organizes its cataloging and storage. Departmental responsibilities include maintenance and operation of the custom-designed deionized water system used primarily for the wet cleaning of tapestries and carpets.

Selected Publications:

Headshot of Oliver Orr

Oliver Orr

Laboratory Coordinator

Oliver Orr has worked with the Department of Textile Conservation as Laboratory Coordinator since 2022. He has prior experience in research labs, art studios, and cultural institutions, most recently the Yale Peabody Museum in Connecticut. His diverse professional interests include art conservation, intangible cultural heritage preservation, literature, design, and evolutionary biology. He holds a BA in English Literature from Yale University.

Selected Publications:

  • Phylogeography, hybridization, and species discovery in the Etheostoma nigrum complex (Percidae: Etheostoma: Boleosoma) MacGuigan, DJ; Orr, OD; Near, TJ. Molecular Phylogenetics and Evolution, Volume 178, 2023, ISSN 1055-7903
Headshot of Kisook Suh

Kisook Suh

Conservator

Kisook Suh takes care of tapestries belonging to the Department of Medieval Art and The Cloisters. She currently works on conservation of the “King Arthur” tapestry in the series of the “Heroes Tapestries” of The Cloisters collection. Since 2006, she has been part of diverse projects at The Met, in particular the conservation of textiles for the reopening of the galleries for Islamic Art i.e. Arab Lands, Turkey, Iran, Central Asian, and Later South Asian galleries. Kisook received her MA in museum studies from the Fashion Institute of Technology and was the recipient of an Andrew W. Mellon Conservation Fellowship for her research on East Asian embroideries. She was previously employed by the National Folk Museum of Korea, working on both archaeological and historical costume and textile collections. As she continues her research on early repairs/ restorations on textiles and the related practices of their treatment, she was a contributor in AIC Textile Conservation Wiki in the section of ‘Addressing Previous Interventions.’ Her most recent interests are in digitization and digital documentation of conservation records and applying advanced imaging techniques to the practice of textile conservation.

Selected Publications:

  • Suh, Kisook. “Application of Multispectral/multiband Imaging in the Practice of Textile Conservation: Documentation, Investigation, and Communication.” In Textile Specialty Group Post-prints, American Institute for Conservation of Historic and Artistic Works 46th Annual Meeting, 83–96. Houston: A.I.C., 2018.
  • –––. “Conservation of a Safavid Persian Carpet Fragment: Two Different Approaches to Treatment in 1980 and 2010.” InTextile Specialty Group Post-prints, American Institute for Conservation of Historic and Artistic Works 39th Annual Meeting, 81–85. Philadelphia: A.I.C., 2011.
  • –––. “The Documentary Value of Repairs to the Hwarot, the Korean Bridal Robe.” In Textile Society of America Symposium Proceedings — Textile Narratives and Conversations, 79–87. Toronto: Textile Society of America, 2006.
Headshot of Olha Yarema-Wynar

Olha Yarema-Wynar

Conservator

Olha Yarema-Wynar is responsible for the conservation of textiles from the Department of Arms and Armor and the Department of European Sculpture and Decorative Art's tapestries collection. She holds an MFA in decorative and applied arts from the Lviv National Academy of Arts and an MA in Digital Media Studies from the University of Denver. In 2012, Olha was awarded her PhD in museology and cultural studies at the National Academy of Sciences of Ukraine, Kyiv. Her thesis topic was "Western European Tapestries of the 16th–19th Centuries from the Collection of the Bohdan and Varvara Khanenko Museum of Art: Manufacturing Technology and Methods of Conservation, Preservation, and Museumification." As of 2017, she is a Fulbright Specialist in museology with a concentration in textiles.

Selected Publications:

  • Olha Yarema-Wynar. "A Tapestry Bridge Between Countries and Centuries." In Postprints: Paper Delivered at the Museums and Restoration in the Context of Cultural; Heritage Preservation: Ultimate Challenge. 4th International Scientific and Practical Conference, pp. 289-298, 2019. Kyiv, Ukraine: Національний Києво-Печерський Історико-Культурний Заповідник, 2019.
  • –––, and A. Barlow. 2018. "The Mortlake Horses: A Collaborative Approach to the Conservation of a Seventeenth-Century British Tapestry at The Metropolitan Museum Of Art." In AIC Textile Specialty Group Postprints. AIC 46th Annual Meeting, Houston, TX. Washington, DC: AIC, 17-30.
  • –––. "The Boreas and Orithyia Tapestry Viewed Through the Prism of a Textile Conservator." In Now at the Met blog. New York: MMA, June 3, 2016.
Headshot of Julia Carlson

Julia Carlson

Associate Conservator

Julia Carlson started work at the Met as a Conservation Assistant for the re-opening of the ALTICALSA galleries. She is currently the Islamic Art liaison conservator. Her interests include Islamic textiles and dress, Modern textiles, weaving, and conservation cleaning methods. From 2018 - 2020, she was the Program Chair and then Chair of the Textile specialty group of AIC. Julia Carlson holds a BA in Art History and Studio Art from Skidmore College and an MA in Fashion and Textile Studies from the Fashion Institute of Technology, State University of New York.

Selected Publications:

  • Carlson, Julia. “From the Ground Up: Conservation Treatment of an Indian Textile.” Ruminations (blog). The Metropolitan Museum of Art, August 18, 2015.
  • –––. “A Sticky Situation: A Different Method for Removing Adhesive from a 16th Century Carpet.” In ICOM-CC Triennial Conference. Copenhagen: ICOM-CC Preprints, 2017.
  • –––, Breitung, Eric, Nancy C. Britton, Isabella Buscarino, Laura Peluso, Libby Rosa, and Catherine H. Stephens. “Washing Cotton Fabrics for Use with Collections.” AIC News 44, no. 2 (March 2019), pp. 1, 6–12.
Headshot of Giulia Chiostrini

Giulia Chiostrini

Conservator

Giulia Chiostrini began working in the Department in 2010 after the completion of a two-year Andrew W. Mellon Fellowship, during which she focused on medieval tapestry conservation techniques. She is currently the liaison textile conservator for the European Sculpture and Decorative Arts Textiles Collection. Giulia is also collaborating in the conservation, preservation, and mounting of historic textiles from Medieval Art, Islamic Art, and Robert Lehman curatorial departments for display, storage, and travel. In 2001, Giulia graduated from the Universita' degli Studi di Firenze, Italy, in Restoration and Conservation of Ancient Textiles. In 2016, she earned an MA degree in Medieval and Renaissance Studies program at Columbia University, New York.

Selected Publications:

  • Chiostrini, Giulia. "The Abduction of Helen: Uncovering the Technical Features of a Monumental Embroidery Hanging from the Collection of The Metropolitan Museum of Art." In Monumental Treasures, Preservation and Conservation, XX NKF Congress 21–23 October 2015, Helsinki, Finland, 68–77. Helsinki: Libris Oy, 2015.
  • –––. "Differing Interpretations of the Authenticity of an Ushak Carpet from The Metropolitan Museum of Art." In Authenticity and Replication: The 'Real Thing' in Art and Conservation, edited by Rebecca Gordon, Erma Hermens, and Frances Lennard, 37–48. London: Archetype, 2014.
  • –––, et. al. "Redeeming Pieter Coecke van Aelst's Gluttony Tapestry: Learning from Scientific Analysis."Metropolitan Museum Journal 49 (2014): 151–164.
Headshot of Alexandra Barlow

Alexandra Barlow

Associate Conservator

Alexandra Barlow is the liaison textile conservator for the American Wing. She joined The Met in 2015 to work on the conservation treatment of 16th-century and 17th-century tapestries for the renovation of the British Galleries. Alexandra received her BA in Anthropology from San Francisco State University and an MA in Fashion and Textile Studies with a focus on conservation from the Fashion Institute of Technology, State University of New York., While a student at FIT during which she held a graduate internship position in the conservation laboratory of The Met's Costume Institute.

Selected Publications:

  • Barlow, Alexandra and Olha Yarema-Wynar. "The Mortlake Horses: A Collaborative Approach to the Conservation of a Seventeenth-Century British Tapestry at The Metropolitan Museum of Art." In Textile Specialty Group Postprints, American Institute for Conservation of Historic and Artistic Works 46th Annual Meeting, 17-30. Houston, TX. Washington, DC: A.I.C., 2018.
  • –––, Miriam Murphy, and Eric Breitung. "The Creation of a Digitally Printed Reproduction Sleeve for an 18th Century Painted Silk Dress." In The Textile Specialty Group Postprints: Papers Delivered at the Textile Subgroup Session; American Institute for Conservation of Historic and Artistic Works . . . 44th Annual Meeting, vol. 26, edited by Elizabeth Shaeffer, Anne Getts, Kathleen Kiefer, and Bernice Morris, pp. 35–48. Papers presented at a meeting held in Montreal, May 12–18, 2016. Washington, D.C.: Textile Specialty Group of the American Institute for Conservation of Historic and Artistic Works, 2017. 
Headshot of Antonia Capasso

Antonia Capasso

Associate Administrator

Antonia Capasso joined The Met in October 2021. In her current role, her primary responsibilities involve the financial and administrative aspects of the department, assisting in the management of operations, and coordinating all departmental events. Before coming to The Met, she spent 8 years working in apparel production, fabric sourcing, and textile manufacturing. Antonia studied Fashion Merchandising Management and International Trade & Marketing at the Fashion Institute of Technology, earning her BS in 2012. She went on to receive an MA in Italian Literature at Hunter College in 2022.