Peace
William Ordway Partridge American
Sculptors often attempt to render abstract concepts and themes in three-dimensional form. Here, the serene facial features, lowered eyelids, and expressionless mouth convey a state of tranquility, equated more broadly to the idea of peace by the work’s title. Ironically, “Peace” was first exhibited in 1898, the year the United States was embroiled in the Spanish-American War. In retaining rough stone around the smoothly finished head, Partridge was influenced by the marbles of the French sculptor Auguste Rodin.
This artwork is meant to be viewed from right to left. Scroll left to view more.