Gold statue of a nude woman, pointing a bow and arrow in the direction of a stately gray facade.
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The American Wing

About Us

Visitors to the American Wing will experience in more than 75 galleries on three floors varied art, design, and culture from the mid-seventeenth to the mid-twentieth century, with some contemporary expressions, by a diverse array of artists from across North America. Since our founding in 1924, this curatorial department has evolved its collecting to include some 20,000 artworks in many mediums by African American, Asian American, Euro-American, Latin American, and Native American makers, affirming ever more inclusive definitions of American art and identity. These dynamic holdings include painting, sculpture, drawing, furniture, textiles, regalia, ceramics, basketry, glass, silver, metalwork, jewelry, as well as historic interiors and architectural fragments, produced by highly trained and self-taught artists, both identified and unrecorded. Monumental sculpture, stained glass, and architectural elements are installed in the Charles Engelhard Court; silver, gold, glass, and ceramics on the courtyard balconies. Narratives of American domestic architecture and furnishings are explored in twenty historical interiors, or period rooms. Changing rotations of painting, sculpture, works on paper, and textiles appear throughout the Wing.

Since its establishment in 1870, The Met has acquired significant examples of American art. A separate American Wing to display Euro-American domestic arts of the seventeenth to early nineteenth centuries opened in 1924; painting and sculpture galleries and a skylit courtyard were added in 1980. A major renovation and reinstallation of the Wing’s space and collection occurred between 2002 and 2012, and, in 2024, the department marked its 100th anniversary with a new reinstallation highlighting its history and ongoing evolution.

The Metropolitan Museum of Art is situated in Lenapehoking, homeland of the Lenape diaspora, and historically a gathering and trading place for many diverse Native Peoples, who continue to live and work on this island. We respectfully acknowledge and honor all Indigenous communities—past, present, and future—for their ongoing and fundamental relationships to the region.


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Tapestry with figurative scenes, Tapestry weave, cotton warp and camelid weft; ca. 27 ribs to one inch, Peruvian
Peruvian
17th century
Northeaster, Winslow Homer  American, Oil on canvas, American
Winslow Homer
1895; reworked by 1901
Squash Window with Pebbles, Louis C. Tiffany  American, Glass, beach-worn quartz, lead came, American
Louis C. Tiffany
1885–90
Quilt, Split Bars pattern, Amish maker  American, Wool and cotton, American
Amish maker
ca. 1930
Library Table, Herter Brothers  American, Rosewood, brass, mother-of-pearl, and abalone, American
Herter Brothers
1879–82
Quilt (or decorative throw), Crazy pattern, Tamar Horton Harris North  American, Silk, silk velvet, cotton, and cotton lace, American
Tamar Horton Harris North
ca. 1877
Cleopatra, William Wetmore Story  American, Marble, American
William Wetmore Story
1858, carved 1869
Covered jar, Marie Zimmermann  American, Silver, gold,  jade, crystal, and rubies, American
Marie Zimmermann
1905–15
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